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Je suis le cahier : the sketchbooks of Picasso

저자: Pablo Picasso; Arnold B Glimcher; Marc Glimcher; Pace Gallery.
출판사: Boston : Atlantic Monthly Press, ©1986.
판/형식:   도서 : 영어 : 1st ed모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Catalog of an exhibition held at the Pace Gallery, New York, May 2-Aug. 1, 1986. Bibliography: p. 347.
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장르/형태: Exhibitions
추가적인 물리적 형식: Online version:
Picasso, Pablo, 1881-1973.
Je suis le cahier.
Boston : Atlantic Monthly Press, c1986
(OCoLC)566238893
Online version:
Picasso, Pablo, 1881-1973.
Je suis le cahier.
Boston : Atlantic Monthly Press, c1986
(OCoLC)609197643
명시된 사람: Pablo Picasso; Pablo Picasso
문서 형식:
모든 저자 / 참여자: Pablo Picasso; Arnold B Glimcher; Marc Glimcher; Pace Gallery.
ISBN: 0871130815 9780871130815 9780871130822 0871130823
OCLC 번호: 13947407
메모: Catalog of an exhibition held at the Pace Gallery, New York, May 2-Aug. 1, 1986.
설명: 349 p. : ill. (some col.) ; 32 cm.
내용: Preface / Arnold Glimcher --
A memoir / Claude Picasso --
I. Six complete sketchbooks : The Saltimbanques. Sketchbook no. 35, 1905 / E. A. Carmean --
The Demoiselles. Sketchbook no. 42, 1907 / Robert Rosenblum --
Picasso at the crossroads. Sketchbook no. 59, 1916 / Theodore Reff --
Life woth Picasso. Sketchbook no. 92, 1926 / Rosalind E. Krauss --
Picasso at war: Royan, 1940. Sketchbook no. 110, 1940 / Sam Hunter --
The Sabines. Sketchbook no. 163, 1962 / Gert Schiff --
II. Selections from other sketchbooks : A reminiscence / François Gilot --
III. Catalogue raisonné / Matthew Marks.
책임: edited by Arnold Glimcher and Marc Glimcher.

초록:

Catalog of an exhibition held at the Pace Gallery, New York, May 2-Aug. 1, 1986. Bibliography: p. 347.

"Picasso considered all of his works to be entries in his diary; he excluded nothing. The sketchbooks are generic chapters inextricable from his oeuvre. In Picasso's paintings the spontaneity of gesture is deceptive since the manner is which he leaves his tracks visible superficially suggests minimal preparation. Although most of Picasso's solutions appear to be immediately worked out on the canvas, this was far from the fact. Many paintings sprang fully formed as the fulfillment of preconscious models, but very often others were the product of the process of trial solution and discovery through drawing. There are eight sketchbooks for Les Demoiselles d'Avignon, five for the saltimbanques, four for the Luncheon on the Grass series, and two for The rape of the Sabines. In sketchbook No. 171, Picasso inscribed: "La peinture est plus forte que moi elle me fait faire ce qu'elle veut" ("Painting is stronger than I am; it makes me do what it wants"). The sketchbook itself is the statement's validation."--Publisher.

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