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Jean Dubuffet : the last two years.

Autor: Jean Dubuffet; Harmony Murphy; Pace Gallery.
Editorial: New York City : Pace Gallery, [2012]
Edición/Formato:   Print book : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
An exhibition featuring nearly twenty works from the final two bodies of work by Jean Dubuffet, who died in 1985. In 1983 Dubuffet unleashed an extended color palette across the canvas, removing the borders and a representational reference point. From February 1983 to February 1984, the artist painted the Mires, or 'Test Patterns, ' exclusively, meant to evoke in viewers a visceral reaction that might rid the mind  Leer más
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Detalles

Género/Forma: Exhibition catalogs
Exhibitions
Persona designada: Jean Dubuffet; Jean Dubuffet; Jean Dubuffet
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Jean Dubuffet; Harmony Murphy; Pace Gallery.
Número OCLC: 773088456
Notas: Catalog of an exhibition held at Pace Gallery, New York, Jan. 20-Mar. 10, 2012.
Essay by Harmony Murphy.
Accordion-fold format.
Descripción: 18 unnumbered pages : color illustrations, portrait ; 28 cm
Otros títulos: Last two years

Resumen:

An exhibition featuring nearly twenty works from the final two bodies of work by Jean Dubuffet, who died in 1985. In 1983 Dubuffet unleashed an extended color palette across the canvas, removing the borders and a representational reference point. From February 1983 to February 1984, the artist painted the Mires, or 'Test Patterns, ' exclusively, meant to evoke in viewers a visceral reaction that might rid the mind of the teachings of culture and tradition so as to see with a naked eye. Dubuffet entitled his final series Non-Lieux, a legal term meaning neither guilty nor innocent - in effect, 'no verdict.'--Pace Gallery website.

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Datos enlazados


Primary Entity

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   schema:datePublished "2012" ;
   schema:description "An exhibition featuring nearly twenty works from the final two bodies of work by Jean Dubuffet, who died in 1985. In 1983 Dubuffet unleashed an extended color palette across the canvas, removing the borders and a representational reference point. From February 1983 to February 1984, the artist painted the Mires, or 'Test Patterns, ' exclusively, meant to evoke in viewers a visceral reaction that might rid the mind of the teachings of culture and tradition so as to see with a naked eye. Dubuffet entitled his final series Non-Lieux, a legal term meaning neither guilty nor innocent - in effect, 'no verdict.'--Pace Gallery website."@en ;
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Related Entities

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   schema:familyName "Murphy" ;
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<http://viaf.org/viaf/64004844> # Jean Dubuffet
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    .


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