passa ai contenuti
Jean Genet : performance and politics Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

Jean Genet : performance and politics

Autore: Clare Finburgh; Carl Lavery; Maria Shevtsova
Editore: Basingstoke [England] ; New York : Palgrave Macmillan, 2006
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Jean Genet, Performance and Politics is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theatre, film and dance. Its new approach brings together the diverse aspects of Genet's work through essays by international scholars and interviews with such key theatre directors as Richard Schechner,  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Genere/forma: Dramatic works
Persona incaricata: Jean Genet; Jean Genet; Jean Genet; Jean Genet; Jean Genet; Jean Genet; Jean Genet; Jean Genet
Tipo materiale: Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Clare Finburgh; Carl Lavery; Maria Shevtsova
ISBN: 1403994803 9781403994806
Numero OCLC: 67346364
Note: "Transferred to digital printing 2007"--T.p. verso.
Descrizione: xiii, 241 p. : ill. ; 23 cm.
Contenuti: Introduction / Clare Finburgh, Carl Lavery and Maria Shevtsova --
Jean Genet in his 'humour' / Michel Corvin --
From theatricality to performance theory: The Screens / David Bradley --
The theatre of Genet in sociological perspective / Maria Shevtsova --
Genet's The Screens as media allegory / David Fieni --
Reading The Blacks through the 1956 preface: politics and betrayal / Carl Lavery --
'Micro-treatise on a mini-politics': Genet, individualism and collectivity / Clare Finburgh --
Theatre in a graveyard: site-based performance and the revolution of everyday life / Carl Lavery --
Dancing the impossible: Kazuo Ohno, Lindsay Kemp and Our Lady of the Flowers / Martin Hargreaves --
Jean, Ron, Franko and me: Genet, body art and abjection / Carl Lavery and Paul Woodward --
The Blacks and its impact on African American theatre in the United States / John Warrick --
Las criadas, Genet and Spain / Maria M. Delgado --
Corporeographies: the dancing body in 'adame Miroir and Un chant d'amour / Elizabeth Stephens --
Genet and cinema: adaptations and influence / Jane Giles --
An interview with Joseph Strick --
An interview with Bill Rauch and Lynn Jeffries of Cornerstone Theatre Company --
An interview with Jean-Baptiste Sastre --
An interview with Terry Hands --
An interview with Colin Chambers --
An interview with Richard Schechner --
More holes than blanket: rehearsal process as political process in Genet's theatre / Ralph Yarrow.
Responsabilità: edited by Clare Finburgh, Carl Lavery and Maria Shevtsova.
Maggiori informazioni:

Abstract:

Jean Genet, Performance and Politics is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theatre, film and dance. Its new approach brings together the diverse aspects of Genet's work through essays by international scholars and interviews with such key theatre directors as Richard Schechner, Terry Hands, Cornerstone Theatre and Jean-Baptiste Sastre. Where some of the contributors explore Genet's relationship with political discourses and movements (performance theory, sociology, situationism, postmodernism, post-structuralism), others trace his influence on contemporary practice (Butoh, Body Art, avant-garde theatre, site-specific performance and queer cinema). This exciting and original volume situates Genet as a key political playwright and as a major figure in the history of twentieth-century performance practice, and will be of interest to students of Theatre, Performance, Dance, Film and French.

Commenti

Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/67346364>
library:oclcnum"67346364"
library:placeOfPublication
rdf:typeschema:Place
schema:name"Basingstoke England"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/67346364>
rdf:typeschema:Book
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:contributor
schema:contributor
schema:datePublished"2006"
schema:description"Introduction / Clare Finburgh, Carl Lavery and Maria Shevtsova -- Jean Genet in his 'humour' / Michel Corvin -- From theatricality to performance theory: The Screens / David Bradley -- The theatre of Genet in sociological perspective / Maria Shevtsova -- Genet's The Screens as media allegory / David Fieni -- Reading The Blacks through the 1956 preface: politics and betrayal / Carl Lavery -- 'Micro-treatise on a mini-politics': Genet, individualism and collectivity / Clare Finburgh -- Theatre in a graveyard: site-based performance and the revolution of everyday life / Carl Lavery -- Dancing the impossible: Kazuo Ohno, Lindsay Kemp and Our Lady of the Flowers / Martin Hargreaves -- Jean, Ron, Franko and me: Genet, body art and abjection / Carl Lavery and Paul Woodward -- The Blacks and its impact on African American theatre in the United States / John Warrick -- Las criadas, Genet and Spain / Maria M. Delgado -- Corporeographies: the dancing body in 'adame Miroir and Un chant d'amour / Elizabeth Stephens -- Genet and cinema: adaptations and influence / Jane Giles -- An interview with Joseph Strick -- An interview with Bill Rauch and Lynn Jeffries of Cornerstone Theatre Company -- An interview with Jean-Baptiste Sastre -- An interview with Terry Hands -- An interview with Colin Chambers -- An interview with Richard Schechner -- More holes than blanket: rehearsal process as political process in Genet's theatre / Ralph Yarrow."
schema:description"Jean Genet, Performance and Politics is the first book to explore the broad political significance of Genet's performance practice by focusing on his radical experiments, polemical subjects and formal innovations in theatre, film and dance. Its new approach brings together the diverse aspects of Genet's work through essays by international scholars and interviews with such key theatre directors as Richard Schechner, Terry Hands, Cornerstone Theatre and Jean-Baptiste Sastre. Where some of the contributors explore Genet's relationship with political discourses and movements (performance theory, sociology, situationism, postmodernism, post-structuralism), others trace his influence on contemporary practice (Butoh, Body Art, avant-garde theatre, site-specific performance and queer cinema). This exciting and original volume situates Genet as a key political playwright and as a major figure in the history of twentieth-century performance practice, and will be of interest to students of Theatre, Performance, Dance, Film and French."
schema:exampleOfWork<http://worldcat.org/entity/work/id/795540540>
schema:inLanguage"en"
schema:name"Jean Genet : performance and politics"
schema:numberOfPages"241"
schema:publisher
schema:workExample
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GBA659357>

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.