跳至内容
Jean-Luc Godard's Hail Mary : women and the sacred in film 線上預覽
關閉線上預覽
正在查...

Jean-Luc Godard's Hail Mary : women and the sacred in film

作者: Maryel Locke; Charles Warren; Jean-Luc Godard; Anne-Marie Miéville
出版商: Carbondale : Southern Illinois University Press, ©1993.
版本/格式:   電子書 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Maryel Locke and Charles Warren present twelve original essays by film critics, filmmakers, theologians, and philosophers that examine the 1985 film Hail Mary, directed by Jean-Luc Godard, and its companion film, The Book of Mary, directed by Anne-Marie Mieville. (The films are released under the one title Hail Mary) The interpretative essays offer a rich spectrum of analysis and opinion representing many divergent  再讀一些...
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: Electronic books
其他的實體格式: Print version:
Jean-Luc Godard's Hail Mary.
Carbondale : Southern Illinois University Press, ©1993
(DLC) 92029569
(OCoLC)26501964
提及的人: Mary, Blessed Virgin Saint; Jean-Luc Godard; Anne-Marie Miéville; Mary, Blessed Virgin Saint.; Mary, Blessed Virgin.; Jean-Luc Godard; Anne-Marie Miéville
資料類型: 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Maryel Locke; Charles Warren; Jean-Luc Godard; Anne-Marie Miéville
ISBN: 0585107394 9780585107394
OCLC系統控制編碼: 43476049
注意: Includes a complete shot breakdown of Hail Mary and The book of Mary by Anne-Marie Miéville, with the English subtitles and the French dialogue.
複製注釋: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (xxiii, 235 pages) : illustrations
詳述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
内容: Prénom : Marie / Stanley Cavell --
A history of the public controversy / Maryel Locke --
Whim, God, and the screen / Charles Warren --
The holy family / Sandra Laugier --
Marie/Eve : continuity and discontinuity in J-L Godard's iconography of women / Laura Mulvey --
Miéville and Godard : from psychology to spirit / David Sterritt --
Jean-Luc Godard's Hail Mary : cinema's "virgin birth" / Inez Hedges --
An alternative to Godard's metaphysics : cinematic presence in Miéville's Le livre de Marie / Ellen Draper --
One Catholic's view / Robert Kiely --
A failure to make contact / Gayatri Chatterjee --
Mariology, or the feminine side of God / Harvey Cox --
Virgin soiled, or a woman like the others? / John Gianvito --
Godard's vision of the new Eve / Vlada Petric with Geraldine Bard.
責任: edited by Maryel Locke and Charles Warren ; with a foreword by Stanley Cavell.

摘要:

Maryel Locke and Charles Warren present twelve original essays by film critics, filmmakers, theologians, and philosophers that examine the 1985 film Hail Mary, directed by Jean-Luc Godard, and its companion film, The Book of Mary, directed by Anne-Marie Mieville. (The films are released under the one title Hail Mary) The interpretative essays offer a rich spectrum of analysis and opinion representing many divergent points of view about critical theory, the status of women, and the value of film as a medium. Locke and Warren also include two important interviews with Godard, brief biographies and complete filmographies of Godard and Mieville, a shot breakdown of the two films with the English subtitles, and the script of the French dialogue to complete a remarkably comprehensive treatment of these important films. The only film based on the biblical story of the Virgin Mary, Godard's Hail Mary is a contemporary Swiss/French representation of Mary's virgin pregnancy, the birth of her son, and her relationship to Joseph and her young child. Mieville's companion film is about a young girl named Mary whose parents get a divorce. While neither film is overtly religious, the initial release of Hail Mary brought public protests, court cases, a physical attack on Godard, and condemnation by the Pope. An insight emerging compellingly from the volume as a whole is that the camera, which possesses the capacity to invoke the mystery of human sexuality, itself partakes of, incarnates, the mystery of sexual difference. That is a fundamental fact about the medium of film, but a fact that current film theory, with its incessant identifications of the camera as masculine, denies. This is the central claim that, in the context of contemporary film study, gives the book a sharp critical edge and that seems likely to provoke considerable comment within the field.

評論

社評

出版商概要

再讀一些...

 
讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/43476049>
library:oclcnum"43476049"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/43476049>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookFormatschema:EBook
schema:contributor
schema:contributor
schema:copyrightYear"1993"
schema:datePublished"1993"
schema:description"Maryel Locke and Charles Warren present twelve original essays by film critics, filmmakers, theologians, and philosophers that examine the 1985 film Hail Mary, directed by Jean-Luc Godard, and its companion film, The Book of Mary, directed by Anne-Marie Mieville. (The films are released under the one title Hail Mary) The interpretative essays offer a rich spectrum of analysis and opinion representing many divergent points of view about critical theory, the status of women, and the value of film as a medium. Locke and Warren also include two important interviews with Godard, brief biographies and complete filmographies of Godard and Mieville, a shot breakdown of the two films with the English subtitles, and the script of the French dialogue to complete a remarkably comprehensive treatment of these important films. The only film based on the biblical story of the Virgin Mary, Godard's Hail Mary is a contemporary Swiss/French representation of Mary's virgin pregnancy, the birth of her son, and her relationship to Joseph and her young child. Mieville's companion film is about a young girl named Mary whose parents get a divorce. While neither film is overtly religious, the initial release of Hail Mary brought public protests, court cases, a physical attack on Godard, and condemnation by the Pope. An insight emerging compellingly from the volume as a whole is that the camera, which possesses the capacity to invoke the mystery of human sexuality, itself partakes of, incarnates, the mystery of sexual difference. That is a fundamental fact about the medium of film, but a fact that current film theory, with its incessant identifications of the camera as masculine, denies. This is the central claim that, in the context of contemporary film study, gives the book a sharp critical edge and that seems likely to provoke considerable comment within the field."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/797055873>
schema:genre"Electronic books."@en
schema:inLanguage"en"
schema:name"Jean-Luc Godard's Hail Mary women and the sacred in film"@en
schema:publisher
schema:url
schema:url<http://catalog.hathitrust.org/api/volumes/oclc/26501964.html>
schema:url<http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=11941>
schema:url<http://books.google.com/books?id=MahZAAAAMAAJ>
schema:workExample

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.