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The Jeff Koons show

Autor: Alison ChernickJeff KoonsIngrid SischyDan CameronMary BooneTodos autores
Editorial: San Francisco, CA : Distributed exclusively by Microcinema International, [2010?]
Edición/Formato:   Video DVD : Sistema de difusión NTSC en color : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Documentary on the career of American artist, Jeff Koons, featuring interviews with artists, critics, gallery owners.
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Detalles

Género/Forma: Feature films
Biographical films
Documentary films
Interviews
Nonfiction films
Video recordings for the hearing impaired
Persona designada: Jeff Koons; Jeff Koons
Tipo de material: Grabación de video
Tipo de documento: Material visual
Todos autores / colaboradores: Alison Chernick; Jeff Koons; Ingrid Sischy; Dan Cameron; Mary Boone; Jerry Saltz; Antonio Homen; Thea Westreich Wagner; Dick Polich; Julian Schnabel; Voyeur Films (Firm); Microcinema, Inc.; Gallery HD.
Número OCLC: 651657192
Notas: Originally produced as a documentary in 2004.
Actual running time: ca. 52 min.
Special feature: Koons was asked to be guest curator of a 2010 show titled Skin Fruit, featuring pieces from a private collection. Koons elucidates on his selections, his philosophies on art and the art of collecting (ca. 4 min.).
Créditos: Editor, Daniel Brown; camera, Albert Maysles, James Callanan.
Artista(s) : Jeff Koons, Ingrid Sischy, Dan Cameron, Mary Boone, Jerry Saltz, Antonio Homen, Thea Westreich, Dick Polich, Julian Schnabel.
Descripción: 1 videodisc (65 min.) : sound, color ; 4 3/4 in.
Detalles: DVD-R, NTSC, region 0, full frame format (1.33:1); Dolby digital.
Responsabilidad: a Voyeur Film ; produced and directed by Alison Chernick ; a production of Gallery HD.

Resumen:

Documentary on the career of American artist, Jeff Koons, featuring interviews with artists, critics, gallery owners.

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Educational Media Reviews Online (1)

The Jeff Koons Show

(Publicadas por usuario de EMRO 2010-09-20 ) Muy bueno Permalink
Jeff Koons never fails to elicit strong opinion, positive and negative, with his work. Is it deceptively simple or simply vacuous? Shatteringly soul-baring or pornographic? Is he one of the most influential artists of the 21st century (Esquire, 2008) or the king of kitsch? Despite—or perhaps...
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