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Jíbaro Image and the Ecology of Hawai'i Puerto Rican Musical Instruments
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Jíbaro Image and the Ecology of Hawai'i Puerto Rican Musical Instruments

著者: Ted Solís
版本/格式: 文章 文章 : 英语
刊登在:Latin American Music Review, Autumn - Winter, 1995, vol. 16, no. 2, p. 123-153
数据库:JSTOR
其它数据库: ArticleFirst
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文件类型: 文章
所有的著者/提供者: Ted Solís
ISSN:0163-0350
OCLC号码: 482602731
语言注释: English
注意: Photo 1. Plantation trio. L-R: Charles Vegas (b. 1948), modern cuatro; Virginia Rodrigues (b. 1929), güiro; August Rodrigues (b. 1922-93), guitar. (Photo, T. Solís, Lawai, Island of Kaua'i, 7/19/91)
Photo 2. Charlie Figueroa (1916-94) with "German" style sinfonía: 2 bass levers, one melodic button row, four register stops. (Photo, T. Solís, Honolulu, Island of Oahu 8/9/90)
Photo 3. Ornate old or "keyhole" cuatro made and held by Miguel Rodrigues, (b. 1904), standing with Tanilau Dias (b. 1908). (Photo, T. Solís, Hilo, Island of Hawai'i 7/21/90)
Photo 4. Boy and His Family Troubadours, 1947. Group composed primarily of Joseph "Boy" Sedeño and his brothers-in-law. L-R: Sebastian Fernandez, marímbula or "box bass"; Luciano Perez, guitar (probably "running bass"); Arthur Fernandez, maracas; "Boy" Sedeño, Rickenbacker tenor guitar; Raymond "Moncho" Fernandez, güiro; Jack "Tito" Fernandez, guitar; Carmelo "Melo" Fernandez, claves; Anton "Tony" Fernandez, bongós. (Photo, courtesy of Joseph and Maria Sedeño)
Photo 5. Raymond Galarza (b. 1930) with wooden tenor guitar based upon the Rickenbacker electric made to his specifications (wood, with hollowed and deepened body) by Johnny "MuMu" Días. (Photo, T. Solís, Lihue, Kaua'i, 7/21/91)
Photo 6. George Ayala, Sr., comparing neck of tenor guitar made by Johnny "MuMu" Días with that of modern cuatro. (Photo, Solís, Honolulu 8/13/85)
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