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Jim Dine, some drawings

Author: Jim DineStephanie WilesVincent KatzAllen Memorial Art Museum.Neuberger Museum of Art.All authors
Publisher: Oberlin, Ohio : Allen Memorial Art Museum, Oberlin College ; [Göttingen, Germany] : Steidl, 2005.
Edition/Format:   Print book : English : 1st edView all editions and formats
Summary:
This book of 85 drawings by Jim Dine illustrates the range and mastery of the artist's draftsmanship over more than four decades. The variety and breadth of the selection shows the intense way Dine observes the world around him and the excitement with which he records it on paper. Dine has said that his ability to draw is both a privilege and the result of hard physical training, compelling him to move inexorably  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Expositions
Additional Physical Format: Online version:
Dine, Jim, 1935-
Jim Dine, some drawings.
Oberlin, Ohio : Allen Memorial Art Museum, Oberlin College ; [Göttingen, Germany] : Steidl, 2005
(OCoLC)607781053
Named Person: Jim Dine; Jim Dine; Jim Dine; Jim Dine
Document Type: Book
All Authors / Contributors: Jim Dine; Stephanie Wiles; Vincent Katz; Allen Memorial Art Museum.; Neuberger Museum of Art.; Mary and Leigh Block Museum of Art.
ISBN: 3865211194 9783865211194
OCLC Number: 58793933
Notes: Catalog published to coincide with an exhibition at the Allen Memorial Art Museum, Oberlin College, April 8-July 17, 2005, the Neuberger Museum of Art, Purchase College, State University of New York, Sept. 18-Jan. 6, 2006, and the Mary and Leigh Block Museum of Art, Northwestern University, April 7-June 18, 2006.
Description: 209 pages : color illustrations, portrait ; 30 cm
Contents: Preface / Stephanie Wiles --
Making drawings / Jim Dine --
Greek and Roman musings:Jim Dine's drawings of ancient sculpture / Vincent Katz --
Plates --
Checklist of drawings --
Biography of Jim Dine.
Responsibility: text by Stephanie Wiles, Jim Dine and Vincent Katz.

Abstract:

This book of 85 drawings by Jim Dine illustrates the range and mastery of the artist's draftsmanship over more than four decades. The variety and breadth of the selection shows the intense way Dine observes the world around him and the excitement with which he records it on paper. Dine has said that his ability to draw is both a privilege and the result of hard physical training, compelling him to move inexorably forward to capture the next idea or the next psychological insight in drawings that are extraordinarily human. The selection includes early tool pencil drawings and collages, as well as powerful portrait and figure studies in a variety of media. Also included are large painterly pastels executed with a bravura that places them somewhere between painting and drawing. Dine sees his paintings and drawings as essentially conceived and developed in the same way--requiring the same amount of time, emotion and physicality of medium. The only difference, in the end, is that the drawings are on paper.

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