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J.M. Coetzee : South Africa and the politics of writing

著者: David Attwell
出版商: Berkeley : University of California Press ; Cape Town : David Philip, ©1993.
丛书: Perspectives on Southern Africa, 48.
版本/格式:   Print book : 文献 : 州政府或者省政府刊物   计算机文档 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
David Attwell defends the literary and political integrity of the South African novelist J.M. Coetzee, arguing that he has absorbed the textual turn of postmodern culture while still addressing his nation's ethical crisis. As a form of "situational metafiction," Coetzee's novels are shown to reconstruct and critique some of the key discourses in the history of colonialism and apartheid from the eighteenth century to  再读一些...
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详细书目

类型/形式: Electronic books
Criticism, interpretation, etc
History
附加的形体格式: Online version:
Attwell, David.
J.M. Coetzee.
Berkeley : University of California Press ; Cape Town : David Philip, ©1993
(OCoLC)622651394
提及的人: J M Coetzee; J M Coetzee; J M Coetzee; J M Coetzee; John Maxwell Coetzee; John M Coetzee
材料类型: 文献, 政府刊物, 州政府或者省政府刊物, 互联网资源
文件类型: 书, 计算机文档, 互联网资源
所有的著者/提供者: David Attwell
ISBN: 0520078101 9780520078109 0520078128 9780520078123 0864862474 9780864862471
OCLC号码: 25708420
描述: ix, 147 pages ; 24 cm.
内容: 1. Contexts: Literary, Historical, Intellectual --
2. "The labyrinth of my history": Dusklands and In the Heart of the Country --
3. Reading the Signs of History: Waiting for the Barbarians --
4. Writing in "the cauldron of history": Life and Times of Michael K and Foe --
5. Conclusion: Age of Iron.
丛书名: Perspectives on Southern Africa, 48.
责任: David Attwell.
更多信息:

摘要:

David Attwell defends the literary and political integrity of the South African novelist J.M. Coetzee, arguing that he has absorbed the textual turn of postmodern culture while still addressing his nation's ethical crisis. As a form of "situational metafiction," Coetzee's novels are shown to reconstruct and critique some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, Coetzee's work takes seriously the condition of the society in which it is produced. Attwell begins by describing the intellectual and political contexts of Coetzee's fiction. He proceeds with a developmental analysis of the corpus of six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism, and popular culture. Attwell's elegantly written analysis deals both with Coetzee's subversion of the dominant culture around him and with his ability to grasp the complexities of giving voice to the anguish of South Africa.

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