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|Document Type:||Visual material|
|All Authors / Contributors:||
Johan van der Keuken; Willem Breuker; Facets Video (Firm); Arte Video (Firm)
|Language Note:||Films chiefly in English, Dutch and French with optional subtitles in those languages.|
|Notes:||Title from outer container.|
|Credits:||Music by Willem Breuker and others.|
|Description:||3 videodiscs (517 min.) : sd., col. and b&w ; 4 3/4 in.|
|Details:||DVD video; all regions NTSC; Dolby digital 2.0; 4/3 screen format.|
|Contents:||[disc 1]. I [love] $ (1986, 140 min.) ; Beauty = Det schoonheid (1970, 21 min.) ; Even stilte = A moment's silence = Un moment de silence (1960-63, 10 min.) --
[disc 2]. Het oog boven de put = The eye above the well = L'oeil au-dessus du puits (1988, 90 min.) ; Lucebert, tijd en afscheid = Lucebert, time and farewell = Lucebert, temps et adieux (1994, 51 min.) ; The unanswered question = La question sans réponse (1986, 17 min.) ; On animal locomotion (1994, 15 min.) --
[disc 3]. Face value (1991, 120 min.) ; Masque = The mask = Het masker (1989, 53 min.).
|Other Titles:||Johan van der Keuken, volume 1
I love dollars.
I love money.
|Responsibility:||Arte France Développement ; Idéale Audience International ; Pieter van Huystee Film.|
Beauty: The dream world of a fascist spy named Beauty who destroys himself by attempting to impose a rigid working order on the world. The recurring themes of van der Keuken's work --- time, violence, the perception of reality -- are explored here with exceptional intensity.
A moment's silence: One of John van der Keuken's first independent projects produced on an extremely modest budget. The coming and going of street traffic in Amsterdam slows and finally the city is immobilized. In the silence, short live sequences introduce simple poetic observations of a peaceful urban landscape.
Eye above the well: Explores India's spiritual and economic condition, moving from the city to the countryside in the region of Kerala, as it focuses on the essence of that civilization. Captured without commentary by a gliding camera are a cacophony of distinctly nonwestern sights and sounds: the bustling city streets, the serene landscapes of the surrounding countryside, a family preparing for dinner, an elderly actor performing his mythological drama, a modest country moneylender traveling from village to village, young girls at their singing lessons.
Lucebert, time and farewell: One of the greatest Dutch poets of the twentieth century, Lucebert was also a major painter who participated in the Cobra movement. This is van der Keuken's acclaimed triptych of three short films on Lucerbert produced in 1962, 1966, and 1994.
Unanswered question: A didactic verse on the mechanic (or rather, organic) function of memory and therefore, also on cinema.
On animal locomotion: An illustration of the human body in motion with music from the Dutch composer Willem Breuker.
Face value: Rejecting linear narrative storytelling, the director offers an epic of humanity and cultural diversity through a cartography of faces, the reflection of an imaginary Europe, made up of London, Marseilles, Prague, and the Netherlands.
Mask: During the celebrations of the bicentennial of the French Revolution, Johan van der Keuken made a film about the revolutionary ideas of equality, liberty, and fraternity. Rather than focusing on the festivities, he lingers on the crowds in the metro and on the platform. Among them is a homeless member of the poor class who is ignored by his more affluent countrymen. A cutting perspective on the contradictions that permeate French society.
- Finance -- Netherlands -- Amsterdam.
- Wealth -- Moral and ethical aspects.
- Lucebert, -- 1924-1994.
- Kerala (India) -- Social life and customs.
- Teachers -- India -- Kerala.
- Teachers and community -- India -- Kerala.
- Cultural pluralism -- Europe.
- Social classes -- France.
- Homeless persons -- France.
- Experimental films.