zum Inhalt wechseln
John Constable and the theory of landscape painting Titelvorschau
SchließenTitelvorschau
Prüfung…

John Constable and the theory of landscape painting

Verfasser/in: Ray Lambert; John Constable
Verlag: Cambridge, UK ; New York, NY : Cambridge University Press, ©2005.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--Jacket.
Bewertung:

(noch nicht bewertet) 0 mit Rezensionen - Verfassen Sie als Erste eine Rezension.

Themen
Ähnliche Titel

 

Online anzeigen

Links zu diesem Titel

Exemplar ausleihen

&AllPage.SpinnerRetrieving; Suche nach Bibliotheken, die diesen Titel besitzen ...

Details

Gattung/Form: Criticism, interpretation, etc
Name: John Constable; John Constable; Constable, John <1776-1837>; John Constable; John Constable; John Constable; John Constable; John Constable; John Constable
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Ray Lambert; John Constable
ISBN: 0521827388 9780521827386
OCLC-Nummer: 54081603
Anmerkungen: Revision of the author's thesis (Ph. D.)--University of London.
Beschreibung: xi, 269 pages : illustrations ; 26 cm
Inhalt: Approaches to Constable --
Constable's theory and British aesthetics --
''Painting is a science" --
"Making something out of nothing": the poetry of the art --
"The chiaroscuro of nature" --
"The stamp of composition" --
Constable and the landscape traditions --
"I am always picturesque" --
"Every description of pastoral beauty" --
Grand theory and general landscape.
Verfasserangabe: Ray Lambert.
Weitere Informationen:

Abstract:

"In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--Jacket.

Rezensionen

Nutzer-Rezensionen
Suche nach GoodReads-Rezensionen
Suche nach DOGObooks-Rezensionen…

Tags

Tragen Sie als Erste Tags ein.
Anfrage bestätigen

Sie haben diesen Titel bereits angefordert. Wenn Sie trotzdem fortfahren möchten, klicken Sie auf OK.

Verlinkung


<http://www.worldcat.org/oclc/54081603>
library:oclcnum"54081603"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
schema:copyrightYear"2005"
schema:creator
schema:datePublished"2005"
schema:description"Approaches to Constable -- Constable's theory and British aesthetics -- ''Painting is a science" -- "Making something out of nothing": the poetry of the art -- "The chiaroscuro of nature" -- "The stamp of composition" -- Constable and the landscape traditions -- "I am always picturesque" -- "Every description of pastoral beauty" -- Grand theory and general landscape."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1029393>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"John Constable and the theory of landscape painting"@en
schema:publication
schema:publisher
schema:reviews
rdf:typeschema:Review
schema:itemReviewed<http://www.worldcat.org/oclc/54081603>
schema:reviewBody""In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--Jacket."
schema:workExample
wdrs:describedby

Content-negotiable representations

Fenster schließen

Bitte in WorldCat einloggen 

Sie haben kein Konto? Sie können sehr einfach ein kostenloses Konto anlegen,.