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John Constable and the theory of landscape painting

Auteur : Ray Lambert; John Constable
Éditeur : Cambridge, UK ; New York, NY : Cambridge University Press, ©2005.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--Jacket.
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : John Constable; John Constable; Constable, John <1776-1837>; John Constable; John Constable; John Constable; John Constable; John Constable; John Constable
Type d’ouvrage : Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Ray Lambert; John Constable
ISBN : 0521827388 9780521827386
Numéro OCLC : 54081603
Notes : Revision of the author's thesis (Ph. D.)--University of London.
Description : xi, 269 pages : illustrations ; 26 cm
Contenu : Approaches to Constable --
Constable's theory and British aesthetics --
''Painting is a science" --
"Making something out of nothing": the poetry of the art --
"The chiaroscuro of nature" --
"The stamp of composition" --
Constable and the landscape traditions --
"I am always picturesque" --
"Every description of pastoral beauty" --
Grand theory and general landscape.
Responsabilité : Ray Lambert.
Plus d’informations :

Résumé :

This book provides a close study of Constable's landscapes and his writings about them.  Lire la suite...

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Synopsis de l’éditeur

"Ray Lambert's new book provides a fresh approach to the familiar territory of landscape studies and a rich investigation of the aesthetic and artistic practices of the English landscape painter John Lire la suite...

 
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