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John Constable and the theory of landscape painting

Autor: Ray Lambert; John Constable
Editora: Cambridge, UK ; New York, NY : Cambridge University Press, ©2005.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--BOOK JACKET.
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Pessoa Denominada: John Constable; John Constable; John Constable; John Constable; John Constable; John Constable; Constable, John <1776-1837>; John Constable; John Constable
Tipo de Material: Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Ray Lambert; John Constable
ISBN: 0521827388 9780521827386
Número OCLC: 54081603
Notas: Revision of thesis (Ph. D.)--University of London.
Descrição: xi, 269 p. : ill. ; 26 cm.
Conteúdos: Approaches to Constable --
Constable's theory and British aesthetics --
''Painting is a science" --
"Making something out of nothing": the poetry of the art --
"The chiaroscuro of nature" --
"The stamp of composition" --
Constable and the landscape traditions --
"I am always picturesque" --
"Every description of pastoral beauty" --
Grand theory and general landscape.
Responsabilidade: Ray Lambert.
Mais informações:

Resumo:

"In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--BOOK JACKET.

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