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John Donne, Undone (Routledge Revivals).

Author: Thomas Docherty
Publisher: Hoboken : Taylor and Francis, 2014.
Series: Routledge revivals.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
Contemporary criticism of Donne has tended to ignore the historical culture and ideology that conditioned his writings, reinforcing the traditionally accepted model of the poet as a humanist of ethical, cultural and political individualism. In this title, first published in 1986, Thomas Docherty challenges this with a more rigorously theoretical reading of Donne, particularly in relation to the specific culture of  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Docherty, Thomas.
John Donne, Undone (Routledge Revivals).
Hoboken : Taylor and Francis, ©2014
Named Person: John Donne; John Donne
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Thomas Docherty
ISBN: 9781317685289 1317685288
OCLC Number: 881571469
Description: 1 online resource (407 pages).
Contents: Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Dedication; Table of Contents; A note on the text; Introduction: Undoing Donne; Crime and criticism; John Donne, undone; Notes; Section I: Problems and paradoxes; 1. Displacement and eccentricity: the struggle with history; 1; 2; 3; Notes; 2. The problem of women: authority, power, communication; 1; 2; 3; 4; 5; Notes; 3. Crisis and hypocrisis: the failure of representation; 1; 2; 3; Notes; Interstice; 4. Identity and difference: individuality betrayed; 1; 2; Notes. Section II: Therapies and (ir)resolutions5. Play, poetry, prayer: the 'vocation' of 'Donne'; 1; 2; Notes; 6. Donne's praise of folly; 1; 2; 3; 4; Notes; 7. Writing as therapy: a fishy tale and a diet of worms; 1; 2; 3; 4; Notes; Index.
Series Title: Routledge revivals.

Abstract:

Contemporary criticism of Donne has tended to ignore the historical culture and ideology that conditioned his writings, reinforcing the traditionally accepted model of the poet as a humanist of ethical, cultural and political individualism. In this title, first published in 1986, Thomas Docherty challenges this with a more rigorously theoretical reading of Donne, particularly in relation to the specific culture of the late Renaissance in Europe. Docherty locates Donne's poetry at the crux of the various scientific, legal, domestic and rhetorical discourses that surrounded and informed it. W.

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