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John Everett Millais

Autore: Christine Riding
Editore: London : Tate, 2006.
Serie: British artists (Tate Publishing (London, England))
Edizione/Formato:   book_printbook : Biography : Government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"John Everett Millais (1829-1896) was a founding member of the Pre-Raphaelite Brotherhood and the quintessential English gentleman artist. A Baronet and president of the Royal Academy, Millais produced some of the most famous images of his time. His first Pre-Raphaelite work, The Carpenters Shop, had a dramatic effect on the critics; Charles Dickens famously described his portrayal of the Christ child as a hideous,  Per saperne di più…
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Dettagli

Genere/forma: Criticism, interpretation, etc
Informazioni aggiuntive sul formato: Online version:
Riding, Christine.
John Everett Millais.
London : Tate, 2006
(OCoLC)691030028
Persona incaricata: John Everett Millais; John Everett Millais
Tipo materiale: Biography, Government publication
Tipo documento: Book
Tutti gli autori / Collaboratori: Christine Riding
ISBN: 9781854375230 1854375237
Numero OCLC: 61529285
Descrizione: 80 pages : illustrations (chiefly color), portraits ; 25 cm.
Contenuti: Brothers in art --
Beauty without subject --
Our popular painter --
Old masters, new directions.
Titolo della serie: British artists (Tate Publishing (London, England))
Responsabilità: Christine Riding.

Abstract:

"John Everett Millais (1829-1896) was a founding member of the Pre-Raphaelite Brotherhood and the quintessential English gentleman artist. A Baronet and president of the Royal Academy, Millais produced some of the most famous images of his time. His first Pre-Raphaelite work, The Carpenters Shop, had a dramatic effect on the critics; Charles Dickens famously described his portrayal of the Christ child as a hideous, wry-necked, blubbering, red-haired boy in a night-gown. Author Christine Riding analyzes his artistic career, his critics, and his audience, exploring the broader issues that preoccupied his contemporaries on the subject of art itself."--Jacket.

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