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John Ford and the American West

著者: Peter Cowie
出版: New York : H.N. Abrams, 2004.
エディション/フォーマット:   書籍 : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
""My name's John Ford. I make Westerns." As his 1950 comment indicates - with excessive modesty - the filmmaker directed some fifty Westerns during a career that lasted more than half a century. Ford's films are in fact exceptionally varied, but he seems to have been most at ease when shooting in the great outdoors.
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ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
Cowie, Peter.
John Ford and the American West.
New York : H.N. Abrams, 2004
(OCoLC)607294394
関連の人物: John Ford; John Ford; John Ford, Regisseur.; John Ford
資料の種類: Biography, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Peter Cowie
ISBN: 0810949768 9780810949768
OCLC No.: 55600793
物理形態: 224 p. : ill. (some col.) ; 27 cm.
コンテンツ: The myth of the West --
History transfigured --
The U.S. Cavalry and the scars of war --
Ford and the Native American --
Monument Valley and Ford's expansive vision of the West --
The telltale signature.
責任者: Peter Cowie.
その他の情報:

概要:

A visual exploration of the western films of John Ford relates them to the paintings and sculptures of such artists as Albert Bierstadt, Frederic Remington, and Charles M. Russell, discussing such  続きを読む

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schema:description""Ford's vision also flowed from a vibrant tradition in the visual arts, and this book is the first to examine his Westerns, as well as several historical films (including Drums Along the Mohawk, Young Mr. Lincoln, and The Horse Soldiers), in terms of the inspiration he drew from the paintings and other works of such artists as Frederic Remington, Charles M. Russell, and Charles C. Schreyvogel." "In addition, Ford was inspired by the primal beauty of the American landscape; so many of his films are set against the untamed wilderness of Arizona's Monument Valley and southeastern Utah that the area came to be known as "Ford country.""--BOOK JACKET."@en
schema:description"From his first feature, Straight Shooting (1917), to Cheyenne Autumn (1964), it is especially in his Westerns - including such cinematic gems as Stagecoach, My Darling Clementine, Fort Apache, She Wore a Yellow Ribbon, Wagon Master, and The Searchers - that Ford created a unique personal vision of his country's past, both rooted in and reacting to the aspirations of Manifest Destiny, the supremely self-confident belief that continually propelled American society westward across the continent."."@en
schema:description"The myth of the West -- History transfigured -- The U.S. Cavalry and the scars of war -- Ford and the Native American -- Monument Valley and Ford's expansive vision of the West -- The telltale signature."@en
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schema:reviewBody"""My name's John Ford. I make Westerns." As his 1950 comment indicates - with excessive modesty - the filmmaker directed some fifty Westerns during a career that lasted more than half a century. Ford's films are in fact exceptionally varied, but he seems to have been most at ease when shooting in the great outdoors."
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