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John Ford and the American West

著者: Peter Cowie
出版商: New York : H.N. Abrams, 2004.
版本/格式:   Print book : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
""My name's John Ford. I make Westerns." As his 1950 comment indicates - with excessive modesty - the filmmaker directed some fifty Westerns during a career that lasted more than half a century. Ford's films are in fact exceptionally varied, but he seems to have been most at ease when shooting in the great outdoors.
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类型/形式: Criticism, interpretation, etc
附加的形体格式: Online version:
Cowie, Peter.
John Ford and the American West.
New York : H.N. Abrams, 2004
(OCoLC)607294394
提及的人: John Ford; John Ford; John Ford; John Ford, Regisseur.
材料类型: 传记, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Peter Cowie
ISBN: 0810949768 9780810949768
OCLC号码: 55600793
描述: 224 pages : illustrations (some color) ; 27 cm
内容: The myth of the West --
History transfigured --
The U.S. Cavalry and the scars of war --
Ford and the Native American --
Monument Valley and Ford's expansive vision of the West --
The telltale signature.
责任: Peter Cowie.
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摘要:

A visual exploration of the western films of John Ford relates them to the paintings and sculptures of such artists as Albert Bierstadt, Frederic Remington, and Charles M. Russell, discussing such  再读一些...

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schema:description""Ford's vision also flowed from a vibrant tradition in the visual arts, and this book is the first to examine his Westerns, as well as several historical films (including Drums Along the Mohawk, Young Mr. Lincoln, and The Horse Soldiers), in terms of the inspiration he drew from the paintings and other works of such artists as Frederic Remington, Charles M. Russell, and Charles C. Schreyvogel." "In addition, Ford was inspired by the primal beauty of the American landscape; so many of his films are set against the untamed wilderness of Arizona's Monument Valley and southeastern Utah that the area came to be known as "Ford country.""--Jacket."@en
schema:description"From his first feature, Straight Shooting (1917), to Cheyenne Autumn (1964), it is especially in his Westerns - including such cinematic gems as Stagecoach, My Darling Clementine, Fort Apache, She Wore a Yellow Ribbon, Wagon Master, and The Searchers - that Ford created a unique personal vision of his country's past, both rooted in and reacting to the aspirations of Manifest Destiny, the supremely self-confident belief that continually propelled American society westward across the continent.""@en
schema:description"The myth of the West -- History transfigured -- The U.S. Cavalry and the scars of war -- Ford and the Native American -- Monument Valley and Ford's expansive vision of the West -- The telltale signature."@en
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schema:reviewBody"""My name's John Ford. I make Westerns." As his 1950 comment indicates - with excessive modesty - the filmmaker directed some fifty Westerns during a career that lasted more than half a century. Ford's films are in fact exceptionally varied, but he seems to have been most at ease when shooting in the great outdoors."
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