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John Gay's The Beggar's Opera, 1728-2004 : adaptations and re-writings

Autor Uwe Böker; Ines Detmers; Anna-Christina Giovanopoulos
Vydavatel: Amsterdam ; New York, NY : Rodopi, 2006.
Edice: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 105.
Vydání/formát:   e-kniha : Document : GermanZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
When Richard Steele remarked that "the greatest Evils in human Society are such as no Law can come at", he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the  Přečíst více...
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Detaily

Žánr/forma: Electronic books
Adaptations
Doplňující formát: Print version:
John Gay's The beggar's opera, 1728-2004.
Amsterdam ; New York, NY : Rodopi, 2006
(OCoLC)76873981
Osoba: John Gay; John Gay; John Gay; John Gay; John Gay; John Gay
Typ materiálu: Document, Internetový zdroj
Typ dokumentu: Internet Resource, Computer File
Všichni autoři/tvůrci: Uwe Böker; Ines Detmers; Anna-Christina Giovanopoulos
ISBN: 9042021136 9789042021136 9781429481366 1429481366
OCLC číslo: 733076044
Poznámka o jazyku: Texts in German (7) or English (5), with some quoted passages in Portuguese also translated into German.
Poznámka o reprodukci: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Popis: 1 online resource (347 pages).
Podrobnosti: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Obsahy: Calendar of Important Adaptations and Re-Writings 1920-2004 Uwe BOKER, Ines DETMERS and Anna-Christina GIOVANOPOULOS: From Gay to Brecht and Beyond: Imitation and Re-Writing of The Beggar's Opera - 1728 to 2004 Uwe BOKER: John Gays The Beggar's Opera und die sozialhistorischen Kontexte: Satire, Kriminalitat, Ballade, Oper, Kommerzialisierung Ian GALLAGHER: The Beggar's Opera and its Criminal Law Context Horst HOHNE: Die Fortsetzung der Beggar's Opera: Polly (1728) Anna-Christina GIOVANOPOULOS: Robert Walpole und Jonathan Wild: Die satirischen Bezugspersonen von John Gays The Beggar's Opera Frank ENGELMANN: A Late Eighteenth-Century Ballad Opera and John Wilkes: The Bow-Street Opera (1773) Klaus SCHUHMACHER: Ekstasen der Sachlichkeit: Zur Dreigroschenoper (1928) von Bertolt Brecht und Kurt Weill Uwe BOKER: John Gays The Beggar's Opera und Vaclav Havels Zebracka opera (1975) Wumi RAJI: Opera Wonyosi (1977): Strategies of a Postcolonial Response to a Western Operatic Drama Kathrin SARTINGEN: Rewriting als produktive Differenz: Chico Buarque de Hollandas Opera do Malandro (1978) als brasilianische Wiederkehr von John Gays The Beggar's Opera Christoph Oliver MAYER: Italiens Spassmacher schlagt wieder zu: Dario Fos L'opera dello sghignazzo (1981) als provokatives Rewriting der Bettleroper Anja MULLER: Alan Ayckbourn's Beggar's Opera as A Chorus of Disapproval (1984) Contributors
Název edice: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 105.
Odpovědnost: edited by Uwe Böker, Ines Detmers and Anna-Christina Giovanopoulos.

Anotace:

When Richard Steele remarked that "the greatest Evils in human Society are such as no Law can come at", he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay'

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