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John Gay's The Beggar's Opera, 1728-2004 : adaptations and re-writings

作者: Uwe Böker; Ines Detmers; Anna-Christina Giovanopoulos
出版商: Amsterdam ; New York, NY : Rodopi, 2006.
叢書: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 105.
版本/格式:   電子書 : 文獻 : 德文所有版本和格式的總覽
資料庫:WorldCat
提要:
When Richard Steele remarked that "the greatest Evils in human Society are such as no Law can come at", he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the  再讀一些...
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詳細書目

類型/形式: Electronic books
Adaptations
其他的實體格式: Print version:
John Gay's The beggar's opera, 1728-2004.
Amsterdam ; New York, NY : Rodopi, 2006
(OCoLC)76873981
提及的人: John Gay; John Gay; John Gay; John Gay; John Gay; John Gay
資料類型: 文獻, 網際網路資源
文件類型: 網路資源, 電腦資料
所有的作者/貢獻者: Uwe Böker; Ines Detmers; Anna-Christina Giovanopoulos
ISBN: 9042021136 9789042021136 9781429481366 1429481366
OCLC系統控制編碼: 733076044
語言註釋: Texts in German (7) or English (5), with some quoted passages in Portuguese also translated into German.
複製注釋: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
描述: 1 online resource (347 pages).
詳述: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
叢書名: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 105.
責任: edited by Uwe Böker, Ines Detmers and Anna-Christina Giovanopoulos.

摘要:

When Richard Steele remarked that "the greatest Evils in human Society are such as no Law can come at", he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay'

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