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John Kirkpatrick, American Music, and the Printed Page

Author: Drew Massey
Publisher: Cambridge : Cambridge University Press, 2013.
Series: Eastman studies in music.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
For over sixty years, the scholar and pianist John Kirkpatrick tirelessly promoted and championed the music of American composers. This book explores how Kirkpatrick's career as an editor of music shaped the music and legacies of American modernists across most of the twentieth century including Aaron Copland, Charles Ives, and Carl Ruggles. In the end, Massey argues that Kirkpatrick's career invites a  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Massey, Drew.
John Kirkpatrick, American Music, and the Printed Page.
Woodbridge : Boydell & Brewer, ©2013
Named Person: John Kirkpatrick; John Kirkpatrick
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Drew Massey
ISBN: 9781580467971 1580467970
OCLC Number: 889953128
Notes: Title from publishers bibliographic system (viewed on 11 Apr 2014).
Description: 1 online resource.
Contents: Frontcover; Contents; List of Musical Examples; Acknowledgments; Introduction: Strange Stopping Places; 1 Beginnings; 2 Mentorship: Music Publishing; 3 Collaboration: Ruggles's Evocations; 4 Performance: Ives's Concord Sonata; 5 Imagination: Ruggles's Mood; 6 Voice: The Prose Works; 7 Institution: The Charles Ives Society; Conclusion: Kirkpatrick, Compared; Notes; Works of John Kirkpatrick; Bibliography; Index; Backcover.
Series Title: Eastman studies in music.
Responsibility: Drew Massey.

Abstract:

For over sixty years, the scholar and pianist John Kirkpatrick tirelessly promoted and championed the music of American composers. This book explores how Kirkpatrick's career as an editor of music shaped the music and legacies of American modernists across most of the twentieth century including Aaron Copland, Charles Ives, and Carl Ruggles. In the end, Massey argues that Kirkpatrick's career invites a reconsideration of many of the most important debates in American modernism.

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