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John Tucke : a case study in early Tudor music theory

Author: Ronald Woodley; John Tucke; British Library.
Publisher: Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1993.
Series: Oxford monographs on music.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
Much valuable research has been accomplished in recent years on the 'practical' manuscript sources, both complete and fragmentary, of music from later medieval Britain and the institutions in which it flourished. It has been much more difficult to draw out the theoretical context in which composers at the time operated, and the social and educational relationships through which a musical career could be constructed
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Additional Physical Format: Online version:
Woodley, Ronald.
John Tucke.
Oxford [England] : Clarendon Press ; New York : Oxford University Press, 1993
(OCoLC)621565673
Named Person: John Tucke; John Tucke; John Tucke; John Tucke
Material Type: Biography, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Ronald Woodley; John Tucke; British Library.
ISBN: 0198163347 9780198163343
OCLC Number: 27430497
Notes: Series from jacket.
Includes selected texts in Latin and Middle English compiled by John Tucke (British Library, Add. MS 10336) with English translation.
Description: ix, 164 pages : illustrations, map ; 24 cm.
Contents: List of Music Examples --
1. John Tucke: A Career (Re)Constructed --
2. John Tucke's Notebook: British Library, Add. MS 10336. I. Description and Contents. II. Selected Texts --
3. Coloration and Typus: A Preliminary Investigation --
App. A. Tucke's Appointment to St Peter's Abbey, Gloucester --
App. B. Lease of House and Gardens to Tucke and His Family --
App. C. Financial Provisions of the Proto-Cathedral at Gloucester Following the Surrender of St Peter's Abbey --
Index of Manuscripts.
Series Title: Oxford monographs on music.
Responsibility: Ronald Woodley.
More information:

Abstract:

Much valuable research has been accomplished in recent years on the 'practical' manuscript sources, both complete and fragmentary, of music from later medieval Britain and the institutions in which it flourished. It has been much more difficult to draw out the theoretical context in which composers at the time operated, and the social and educational relationships through which a musical career could be constructed in this important period for British polyphonic music.

The chance survival of a manuscript notebook compiled in the first few decades of the sixteenth century by the musician and teacher John Tucke enables one individual case-study to be examined in some detail. Taking this manuscript as its starting point, the present book traces Tucke's career, in so far as it can be reconstructed from available archival sources, and presents the texts of some of the most intriguing material from his notebook, attempting to relate its often enigmatic contents to the wider context of early Tudor music and its production.

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