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Jonathan Lethem

著者: James Peacock
出版商: Manchester : Manchester University Press, 2012.
丛书: Contemporary American and Canadian writers.
版本/格式:   电子图书 : 文献 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Jonathan Lethem is the first full-length study dedicated to the work of an exciting, genre-busting contemporary writer with an increasingly high profile in American literature. Examining all of Lethem?s novels, as well as a number of his short fictions, essays and critical works, this study shows how the author?s prolific output, his restlessness and his desire always to be subverting literary forms and genres, are  再读一些...
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详细书目

类型/形式: Electronic books
Criticism, interpretation, etc
附加的形体格式: Print version:
Peacock, James
Jonathan Lethem
Manchester : Manchester University Press, c2012
提及的人: Jonathan Lethem; Jonathan Lethem; Jonathan Lethem
材料类型: 文献, 互联网资源
文件类型: 互联网资源, 计算机文档
所有的著者/提供者: James Peacock
ISBN: 9781847794659 1847794653
OCLC号码: 818847524
描述: 1 online resource (200 p.)
内容: Copyright; Contents; Series editors' foreword; Acknowledgements; Introduction: genre collisions and mutations; 1. Private dicks: science fiction meets detection in Gun, With Occasional Music; 2. The nightmare of the local: apocalypse on the road in Amnesia Moon; 3. Alice in the academy: As She Climbed Across the Table; 4. Far away, so close: Brooklyn goes to space in Girl in Landscape; 5. 'We learned to tell our story walking': Tourette's and urban space in Motherless Brooklyn; 6. Mixed media: graffiti, writing and coming-of-age in The Fortress of Solitude. 7. 'Hiding in plain sight': reality and secrecy in You Don't Love Me Yet and Chronic CityConclusion; Bibliography; Index.
丛书名: Contemporary American and Canadian writers.

摘要:

Jonathan Lethem is the first full-length study dedicated to the work of an exciting, genre-busting contemporary writer with an increasingly high profile in American literature. Examining all of Lethem?s novels, as well as a number of his short fictions, essays and critical works, this study shows how the author?s prolific output, his restlessness and his desire always to be subverting literary forms and genres, are consistent with his interest in subcultural identities. The human need to break off into small groupings, subcultures or miniature utopias is mirrored in the critical tendency to en.

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