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Jonson, Horace and the classical tradition

Autor: Victoria Moul
Editorial: New York : Cambridge University Press, 2010.
Edición/Formato:   Libro-e : Documento : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of  Leer más
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Detalles

Género/Forma: Electronic books
Formato físico adicional: Print version:
Moul, Victoria, 1980-
Jonson, Horace and the classical tradition.
New York : Cambridge University Press, 2010
(DLC) 2010001505
(OCoLC)501404174
Persona designada: Ben Jonson; Ben Jonson; Ben Jonson; Horace
Tipo de material: Documento, Recurso en Internet
Tipo de documento: Recurso en Internet, Archivo de computadora
Todos autores / colaboradores: Victoria Moul
ISBN: 9780511712692 0511712693
Número OCLC: 648764842
Descripción: 1 online resource (x, 248 p.)
Contenido: Machine generated contents note: Introduction: imitation, allusion, translation: reading Jonson's Horace; 1. Jonson's Odes: Horatian lyric presence and the dialogue with Pindar; 2. Horatian libertas in Jonson's epigrams and epistles; 3. Competing voices in Jonson's verse satires: Horace and Juvenal; 4. Poetaster: classical translation and cultural authority; 5. Translating Horace, translating Jonson; Conclusion: More Remov'd Mysteries: Jonson's textual 'occasions'; Appendix: Manuscript transcriptions.
Responsabilidad: Victoria Moul.

Resumen:

"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges is one founded not upon static imitation, but rather a lively dialogue between competing models - an allusive mode that extends into the seventeenth-century reception of Jonson himself as a latter-day 'Horace'. In the course of this analysis, the book provides fresh readings of many of Jonson's best known poems - including 'Inviting a Friend to Dinner' and 'To Penshurst' - as well as a new perspective on many lesser known pieces, and a range of unpublished manuscript material"--Provided by publisher.

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