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Jonson, Horace and the classical tradition

Auteur : Victoria Moul
Éditeur : New York : Cambridge University Press, 2010.
Édition/format :   Livre électronique : Document : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of  Lire la suite...
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Détails

Genre/forme : Electronic books
Format – détails additionnels : Print version:
Moul, Victoria, 1980-
Jonson, Horace and the classical tradition.
New York : Cambridge University Press, 2010
(DLC) 2010001505
(OCoLC)501404174
Personne nommée : Ben Jonson; Ben Jonson; Ben Jonson; Horace
Type d’ouvrage : Document, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Victoria Moul
ISBN : 9780511712692 0511712693
Numéro OCLC : 648764842
Description : 1 online resource (x, 248 pages)
Contenu : Machine generated contents note: Introduction: imitation, allusion, translation: reading Jonson's Horace; 1. Jonson's Odes: Horatian lyric presence and the dialogue with Pindar; 2. Horatian libertas in Jonson's epigrams and epistles; 3. Competing voices in Jonson's verse satires: Horace and Juvenal; 4. Poetaster: classical translation and cultural authority; 5. Translating Horace, translating Jonson; Conclusion: More Remov'd Mysteries: Jonson's textual 'occasions'; Appendix: Manuscript transcriptions.
Responsabilité : Victoria Moul.

Résumé :

A detailed exploration of Ben Jonson's relationship with his single most enduring and significant literary model, Horace.  Lire la suite...

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Synopsis de l’éditeur

'Moul's book is an important contribution to Jonson studies, revealing how Jonson constructed his own authorial identity by creatively exploiting and combining a wealth of classical contexts.' Lire la suite...

 
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