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Jonson, Horace and the classical tradition

著者: Victoria Moul
出版: New York : Cambridge University Press, 2010.
エディション/フォーマット:   電子書籍 : Document : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of  続きを読む
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ジャンル/形式: Electronic books
その他のフォーマット: Print version:
Moul, Victoria, 1980-
Jonson, Horace and the classical tradition.
New York : Cambridge University Press, 2010
(DLC) 2010001505
(OCoLC)501404174
関連の人物: Ben Jonson; Ben Jonson; Ben Jonson; Horace
資料の種類: Document, インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: Victoria Moul
ISBN: 9780511712692 0511712693
OCLC No.: 648764842
物理形態: 1 online resource (x, 248 p.)
コンテンツ: Machine generated contents note: Introduction: imitation, allusion, translation: reading Jonson's Horace; 1. Jonson's Odes: Horatian lyric presence and the dialogue with Pindar; 2. Horatian libertas in Jonson's epigrams and epistles; 3. Competing voices in Jonson's verse satires: Horace and Juvenal; 4. Poetaster: classical translation and cultural authority; 5. Translating Horace, translating Jonson; Conclusion: More Remov'd Mysteries: Jonson's textual 'occasions'; Appendix: Manuscript transcriptions.
責任者: Victoria Moul.

概要:

"The influence of the Roman poet Horace on Ben Jonson has often been acknowledged, but never fully explored. Discussing Jonson's Horatianism in detail, this study also places Jonson's densely intertextual relationship with Horace's Latin text within the broader context of his complex negotiations with a range of other 'rivals' to the Horatian model including Pindar, Seneca, Juvenal and Martial. The new reading of Jonson's classicism that emerges is one founded not upon static imitation, but rather a lively dialogue between competing models - an allusive mode that extends into the seventeenth-century reception of Jonson himself as a latter-day 'Horace'. In the course of this analysis, the book provides fresh readings of many of Jonson's best known poems - including 'Inviting a Friend to Dinner' and 'To Penshurst' - as well as a new perspective on many lesser known pieces, and a range of unpublished manuscript material"--Provided by publisher.

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