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Joseph Cornell's theater of the mind : selected diaries, letters, and files

Author: Joseph Cornell; Mary Ann Caws
Publisher: New York : Thames and Hudson, ©1993.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
Joseph Cornell is at once a legendary yet living presence in American art. His famous boxes, with their ineffably perfect choice of elements - the stuffed birds, the buttons and toys, the fragments of old theatrical posters, the poignant allusions to the worlds of the 19th century ballet and opera - are some of the most recognizable signatures in all of 20th century art. This book is the first extended selection of  Read more...
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Genre/Form: Diaries
Records and correspondence
Journaux intimes
Correspondance
Additional Physical Format: Online version:
Cornell, Joseph.
Joseph Cornell's theater of the mind.
New York : Thames and Hudson, ©1993
(OCoLC)971506769
Named Person: Joseph Cornell; Joseph Cornell; Joseph Cornell; Joseph Cornell; Joseph Cornell; Joseph Cornell
Material Type: Biography
Document Type: Book
All Authors / Contributors: Joseph Cornell; Mary Ann Caws
ISBN: 0500015449 9780500015445
OCLC Number: 30035539
Description: 479 pages : illustrations ; 24 cm
Contents: Robert Motherwell on Joseph Cornell --
Chronology of Joseph Cornell's Life --
Joseph Cornell as Seen by Others --
The Theater of the Mind --
Looking in a Box, or Eros Contained --
Dreams, Inventions, and the City --
About the Diary --
Notes on the Diaries and the Editing Procedure --
Names That Frequently Occur in the Diaries and Correspondence --
Series, Boxes, and Other Works Referred to in the Diaries --
Joseph Cornell's Principal Films.
Other Titles: Theater of the mind.
Theater of the mind
Responsibility: edited, with an introduction, by Mary Ann Caws ; foreword by John Ashbery.

Abstract:

Joseph Cornell is at once a legendary yet living presence in American art. His famous boxes, with their ineffably perfect choice of elements - the stuffed birds, the buttons and toys, the fragments of old theatrical posters, the poignant allusions to the worlds of the 19th century ballet and opera - are some of the most recognizable signatures in all of 20th century art. This book is the first extended selection of Cornell's diaries and other written material to be published, and from his writings Cornell emerges as a deeply dedicated and conscious artist, though one whose personality was every bit as unusual as many had perceived. Cornell used his diaries as he used his boxes, to capture and preserve his passing feelings, his momentary urges, and his anguished hesitations. He was an incessant and brilliant recorder of his thoughts as he considered his art, or traveled to New York to haunt antiquarian bookstores and shops where he collected material for his boxes. We see here his deep immersion in French symbolist poetry and his intense interest in his surrealist contemporaries. We see also his plangent yearning for "les sylphides." the fairies of the ballet world who seemed to be reincarnated for him in the form of certain waitresses, dancers, actresses, and shopgirls of his own world. Cornell corresponded with an astonishing range of people including Parker Tyler, Marianne Moore, Tony Curtis, Robert Motherwell, and Susan Sontag. His letters were often sent in the form of collages, and several of them are reproduced in this book. Mary Ann Caws has edited these diaries from a vast and prolix collection of scribbled notes and journals left by Cornell. Her text, which provides an extended introduction to the life and work of Cornell, traces the unique correspondence of the life, the art, and the writings of a great American artist. In addition to John Ashbery's foreword, an appreciation of Cornell by Robert Motherwell is published here for the first time.

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