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Joseph Losey

Author: Colin Gardner
Publisher: Manchester ; New York : Manchester University Press : Distributed exclusively in the USA by Palgrave, 2004.
Series: British film makers.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
A career-length study of Losey's British films, this text incorporates film theory of the past 20 years into an analysis of Losey's work in an accessible format for both students and film enthusiasts.
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Genre/Form: Criticism, interpretation, etc
Biographie
Additional Physical Format: Online version:
Gardner, Colin.
Joseph Losey.
Manchester ; New York : Manchester University Press ; Distributed exclusively in the USA by Palgrave, 2004
(OCoLC)607350721
Named Person: Joseph Losey; Joseph Losey; Joseph Losey; Joseph Losey
Material Type: Biography, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Colin Gardner
ISBN: 0719067820 9780719067822 0719067839 9780719067839
OCLC Number: 56444791
Description: xi, 315 pages : illustrations ; 23 cm.
Contents: Introduction : Joseph Losey and the crisis of historical rupture --
Losey in exile : The sleeping tiger (1954), A man on the beach (1955), and The intimate stranger (1956) --
A question of background : class and the politics of impulse in Time without pity (1957), The gypsy and the gentleman (1957), Blind date (1959), and The criminal (1960) --
Dystopic malevolence and the politics of collusion : Evan Jones's The damned (1961), Eve (1962), King and country (1964), and Modesty Blaise (1966) --
Harold Pinter's time-image : The servant (1963), Accident (1967), and The go-between (1971) --
Three allegorical fables : Boom! (1968), Secret ceremony (1968), and Figures in a landscape (1970) --
Bertolt Brecht and Galileo (1974) --
Gender matters : A doll's house (1973), The romantic Englishwoman (1975), and Steaming (1985) --
A second exile : Losey in Europe.
Series Title: British film makers.
Responsibility: Colin Gardner.
More information:

Abstract:

A career-length study of Losey's British films, this text incorporates film theory of the past 20 years into an analysis of Losey's work in an accessible format for both students and film enthusiasts.

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