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The joy that kills

Author: Misha LuslovTina RathborneNancy DyerSue JettTony MarkAll authors
Publisher: Princeton, N.J. : Films for the Humanities & Sciences, ©2004.
Edition/Format:   DVD video : EnglishView all editions and formats
Database:WorldCat
Summary:
The setting is the world of the upper-class Creole society which dominated New Orleans in the 1870s, a world with a strict code of behavior, one of whose strongest tenets required a wife to subordinate her will and her very being to her husband.
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Genre/Form: Short films
Drama
History
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Misha Luslov; Tina Rathborne; Nancy Dyer; Sue Jett; Tony Mark; Frances Conroy; Jeffrey DeMunn; Patrick Horgan; Rosalind Cash; Elizabeth Franz; Lee Richardson; Robert Costley; Ann M Masson; Patrick Tovatt; Kate Chopin; Cypress Films.; Mark/Jett Productions.; Films for the Humanities & Sciences (Firm)
OCLC Number: 51938607
Notes: Based on The story of an hour by Kate Chopin.
Originally produced in 1984.
Credits: Original music, Jed Feuer ; art director, Gallier House Museum, Aann M. Masson ; casting, Barbara Shapiro ; editor, Cindy Kaplan ; associate producers, Marion E. Bright, Charles Bennett, Helena M. Consuegra.
Cast: Frances Conroy (Louise Mallard), Jeffrey De Munn (Brently Mallard), Patrick Horgan (Dr. Le Brun), Rosalind Cash (Maggie), Lady B.J. (Vendor), Elizabeth Franz (Aunt Josephine), Webo O'Neal (Antoine), Ashley McMurry (Child Louise), Lee Richardson (Louise's Father), Robert Costley (George), Ann M. Masson (Eugenie Le Brun), Patrick Tovatt (Richards).
Description: 1 videodisc (56 min.) : sound, color ; 4 3/4 in.
Details: DVD.
Other Titles: Kate Chopin
Responsibility: a Cypress Films Production in association with Mark/Jett Productions ; director of photography, Misha Luslov ; screenplay by Tina Rathborne, Nancy Dyer ; executive producer, Tina Rathborne ; produced by Sue Jett, Tony Mark ; directed by Tina Rathborne.

Abstract:

The setting is the world of the upper-class Creole society which dominated New Orleans in the 1870s, a world with a strict code of behavior, one of whose strongest tenets required a wife to subordinate her will and her very being to her husband.

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