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Judging appearances : a phenomenological study of the Kantian sensus communis

Author: Edward Eugene Kleist
Publisher: Dordrecht ; Boston : Kluwer Academic Publishers, ©2000.
Series: Phaenomenologica, 156.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Kant's Critique of Judgment accounts for the sharing of a common world, experienced affectively, by a diverse human plurality. Kleist shows that taste is a discipline of opening oneself to  Read more...

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Named Person: Immanuel Kant; Immanuel Kant; Immanuel Kant; Immanuel (1724-1804) Kant; Immanuel Kant; Immanuel Kant
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Edward Eugene Kleist
ISBN: 0792363108 9780792363101
OCLC Number: 43894365
Description: x, 158 pages ; 25 cm.
Contents: Chapter I Introduction: a Phenomenological Approach 1 --
Problem of Harmony and Ground 4 --
Objections to a Phenomenological Study of Kantian Aesthetics 6 --
Precedents for the Phenomenological Interpretation 7 --
Rationale for a Phenomenological Approach 9 --
Chapter II Phenomenological Reconstruction 15 --
First Moment: Kant's Analysis of Disinterestedness 15 --
Second Moment: Universality without Concept 17 --
A. Aesthetic Universality 17 --
B. Feeling and Judgment 21 --
C. Felt awareness of Harmony in Aesthetic Reflective Judgment 22 --
D. A priori Basis of Sensibility 24 --
Third Moment: Purposiveness without Purpose 25 --
A. Preliminary Remarks 25 --
B. Purposiveness without Purpose: Phenomenological Analysis 30 --
C. Auto-affection and Hetero-affection in Aesthetic Contemplation 38 --
D. Purposiveness as the Principle of Judgment 40 --
E. Purposiveness and Purpose in Art 42 --
Fourth Moment: Exemplary Necessity 44 --
Chapter III Indeterminacy of Grounds (Kant and Leibniz) 48 --
Kant's Appropriation of Leibniz before the Critique of Judgment 48 --
A. Pre-critical Writings 49 --
B. Critique of Pure Reason 51 --
1. Second Analogy of Experience 51 --
2. Amphiboly of the Concepts of Reflection 51 --
3. Third Antinomy 53 --
4. Ideal of Pure Reason 54 --
C. Leibnizian Pre-established Harmony in Kant's Development through the Critique of Pure Reason 59 --
D. Role of the Principle of Sufficient Reason in Kant's Moral and Political Writings up to 1790 63 --
Problem of Appearance and Ground in Leibnizian Aesthetics 68 --
Indeterminacy and Appearance in the Critique of Judgment 70 --
A. Indeterminacy in the Harmony of Imagination and Understanding 72 --
B. Indeterminate Norm of the Idea of a Common Sense 78 --
C. Arendt's Interpretation of the Idea of a Common Sense 79 --
D. Indeterminate Concept of a Supersensible Substrate of Humanity and Nature 83 --
E. Heterogeneity of Sensibility and Understanding 88 --
1. Appearance and Diversity 90 --
2. Response to Eberhard 91 --
3. Harmony and Perspective in Leibniz and Kant 95 --
Appendix Excerpts from the Latin Version of the Monadologie 96 --
Chapter IV Being Mindful of Appearance: Receptivity, Neutralization, Discursivity 97 --
Sensibility 97 --
Faculties of Representation 103 --
Imagination 105 --
Imagination and Neutralization 108 --
Discursivity of Human Understanding as "Thinking" [Denken]: Kant's Rejection of Intellectual Intuition/Intuitive Understanding 111 --
Discursivity of Reason in Thinking, Contemplation and Desire 115 --
A. History of the Concept of Contemplation 115 --
B. Kant's Retrieval of the Concept of Contemplation 118 --
C. Contemplation and Genius 120 --
D. Discursivity and Contemplation 121 --
E. Aesthetic Contemplation and the Power of Desire: The Social and Moral Fruits of Taste 126 --
Kant and Humanism 135 --
Maxims of Common Human Understanding 138.
Series Title: Phaenomenologica, 156.
Responsibility: Edward Eugene Kleist.
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