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Kant and the experience of freedom : essays on aesthetics and morality

Verfasser/in: Paul Guyer
Verlag: Cambridge [England] ; New York : Cambridge University Press, 1993.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Kant is still widely regarded as the father of the aesthetics of formalism and the doctrine of art for art's sake. Guyer shows, however, that Kant treats the disinterestedness of taste that is the core of his aesthetic theory as an experience of freedom and thus creates  Weiterlesen…
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Name: Immanuel Kant; Immanuel Kant; Immanuel Kant; Immanuel Kant
Medientyp: Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Paul Guyer
ISBN: 0521414318 9780521414319 0521568331 9780521568333
OCLC-Nummer: 25630359
Beschreibung: xv, 449 pages ; 24 cm
Inhalt: 1. Feeling and freedom: Kant on aesthetics and morality --
2. The dialectic of disinterestedness: I. Eighteenth-century aesthetics --
3. The dialectic of disinterestedness: II. Kant and Schiller on interest in disinterestedness --
4. The perfections of art: Mendelssohn, Mortiz, and Kant --
5. Hegel on Kant's aesthetics: necessity and contingency in beauty and art --
6. The beautiful and the sublime --
7. Nature, art, and autonomy --
8. Genius and the canon of art: a second dialectic of aesthetic judgment --
9. Duties regarding nature --
10. Duty and inclination.
Verfasserangabe: Paul Guyer.
Weitere Informationen:

Abstract:

This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Kant is still widely regarded as the father of the aesthetics of formalism and the doctrine of art for art's sake. Guyer shows, however, that Kant treats the disinterestedness of taste that is the core of his aesthetic theory as an experience of freedom and thus creates an essential connection between aesthetics and the interests of morality. At the same time Guyer reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments even on the basis of the most rigorous principle of duty. The scope of the volume is broad. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, and Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Topics treated include the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays (half published here for the first time) extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979). They will be of particular interest to all Kant scholars, professional philosophers concerned with aesthetics and ethics, intellectual historians, and students of German literature.

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