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Karole Armitage, wild ballerina

저자: Karole ArmitageMark KidelSerge LalouFilms d'ici (Firm)SEPT (Television station : France)모든 저자
출판사: 1998.
판/형식:   VHS 비디오 : VHS 테이프 : NTSC 컬러 방송 시스템   시각 자료 : 영어모든 판과 형식 보기
데이터베이스:WorldCat
요약:
Profile of dancer-choreographer Karole Armitage, much of it in her own words. The program begins with a discussion of her evening-length work The predators' ball: hucksters of the soul, which she presented in several versions between 1994 and 1996. Looking back upon her career, Armitage describes her beginnings as a ballet dancer, and her discovery of the work of Merce Cunningham, whose company she joined. She  더 읽기…
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상세정보

장르/형태: Dance
Video
명시된 사람: Karole Armitage; Sally R Sommer; David Salle; Christian Lacroix
자료 유형: 비디오레코딩
문서 형식: 시각 자료
모든 저자 / 참여자: Karole Armitage; Mark Kidel; Serge Lalou; Films d'ici (Firm); SEPT (Television station : France); Association relative à la télévision européenne.; Reiner Moritz Associates.; France Supervision (Firm); Centre national de la cinématographie (France)
OCLC 번호: 40257327
언어 메모: In English; brief sections in French with English subtitles.
메모: Letterbox format.
공연자 Interviewees: Karole Armitage, Joan Juliet Buck, Sally Sommer, David Salle, Christian Lacroix.
설명: 1 videocassette (55 min.) : sd., col. NTSC ; 1/2 in. (VHS)
내용: Dance excerpts: Depicted in performance excerpts are Armitage's works The predators' ball (1996) and its earlier incarnation Hucksters of the soul (1993), Vertige (1980), The Watteau duets (1985), Gogo ballerina (1988), The Elizabethan phrasing of the late Albert Ayler (1986), The tarnished angels (1987), and Weather of reality (1997), as well as Merce Cunningham's Channels/Inserts (1981).
책임: co-produced by Les Films d'Ici and La Sept ARTE in association with RM Associates and France Supervision, with the participation of Le Centre National de la Cinématographie ; directed by Mark Kidel ; produced by Serge Lalou.

초록:

Profile of dancer-choreographer Karole Armitage, much of it in her own words. The program begins with a discussion of her evening-length work The predators' ball: hucksters of the soul, which she presented in several versions between 1994 and 1996. Looking back upon her career, Armitage describes her beginnings as a ballet dancer, and her discovery of the work of Merce Cunningham, whose company she joined. She discusses her own choreography and its aims, her establishment of her own company in the 1980s, her move to France, and her appointment to the directorship of MaggioDanza in Florence, and compares audience and critical reactions to her innovations in the U.S. and Europe. Additional insights are offered by her friend Joan Juliet Buck; dance historian Sally Sommer; Armitage's husband, the painter David Salle; and fashion designer Christian Lacroix.

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링크된 데이터


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