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Karole Armitage, wild ballerina

Autor: Karole ArmitageMark KidelSerge LalouFilms d'ici (Firm)SEPT (Television station : France)Todos os autores
Editora: 1998.
Edição/Formato   Vídeo em VHS : Fita VHS : Sistema de transmissão em cor NTSC   Material visual : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
Profile of dancer-choreographer Karole Armitage, much of it in her own words. The program begins with a discussion of her evening-length work The predators' ball: hucksters of the soul, which she presented in several versions between 1994 and 1996. Looking back upon her career, Armitage describes her beginnings as a ballet dancer, and her discovery of the work of Merce Cunningham, whose company she joined. She  Ler mais...
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Detalhes

Gênero/Forma: Dance
Video
Pessoa Denominada: Karole Armitage; Sally R Sommer; David Salle; Christian Lacroix
Tipo de Material: Gravação de vídeo
Tipo de Documento: Material visual
Todos os Autores / Contribuintes: Karole Armitage; Mark Kidel; Serge Lalou; Films d'ici (Firm); SEPT (Television station : France); Association relative à la télévision européenne.; Reiner Moritz Associates.; France Supervision (Firm); Centre national de la cinématographie (France)
Número OCLC: 40257327
Nota do Idioma: In English; brief sections in French with English subtitles.
Notas: Letterbox format.
Executor(es): Interviewees: Karole Armitage, Joan Juliet Buck, Sally Sommer, David Salle, Christian Lacroix.
Descrição: 1 videocassette (55 min.) : sd., col. NTSC ; 1/2 in. (VHS)
Conteúdos: Dance excerpts: Depicted in performance excerpts are Armitage's works The predators' ball (1996) and its earlier incarnation Hucksters of the soul (1993), Vertige (1980), The Watteau duets (1985), Gogo ballerina (1988), The Elizabethan phrasing of the late Albert Ayler (1986), The tarnished angels (1987), and Weather of reality (1997), as well as Merce Cunningham's Channels/Inserts (1981).
Responsabilidade: co-produced by Les Films d'Ici and La Sept ARTE in association with RM Associates and France Supervision, with the participation of Le Centre National de la Cinématographie ; directed by Mark Kidel ; produced by Serge Lalou.

Resumo:

Profile of dancer-choreographer Karole Armitage, much of it in her own words. The program begins with a discussion of her evening-length work The predators' ball: hucksters of the soul, which she presented in several versions between 1994 and 1996. Looking back upon her career, Armitage describes her beginnings as a ballet dancer, and her discovery of the work of Merce Cunningham, whose company she joined. She discusses her own choreography and its aims, her establishment of her own company in the 1980s, her move to France, and her appointment to the directorship of MaggioDanza in Florence, and compares audience and critical reactions to her innovations in the U.S. and Europe. Additional insights are offered by her friend Joan Juliet Buck; dance historian Sally Sommer; Armitage's husband, the painter David Salle; and fashion designer Christian Lacroix.

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Dados Ligados


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