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Karole Armitage, wild ballerina

作者: Karole ArmitageMark KidelSerge LalouFilms d'ici (Firm)SEPT (Television station : France)所有作者
出版商: 1998.
版本/格式:   VHS影像 : VHS錄影帶 : NTSC彩色電視廣播系統   影像資料 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Profile of dancer-choreographer Karole Armitage, much of it in her own words. The program begins with a discussion of her evening-length work The predators' ball: hucksters of the soul, which she presented in several versions between 1994 and 1996. Looking back upon her career, Armitage describes her beginnings as a ballet dancer, and her discovery of the work of Merce Cunningham, whose company she joined. She  再讀一些...
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詳細書目

類型/形式: Dance
Video
提及的人: Karole Armitage; Sally R Sommer; David Salle; Christian Lacroix
資料類型: 錄影
文件類型: 影像資料
所有的作者/貢獻者: Karole Armitage; Mark Kidel; Serge Lalou; Films d'ici (Firm); SEPT (Television station : France); Association relative à la télévision européenne.; Reiner Moritz Associates.; France Supervision (Firm); Centre national de la cinématographie (France)
OCLC系統控制編碼: 40257327
語言註釋: In English; brief sections in French with English subtitles.
注意: Letterbox format.
表演者: Interviewees: Karole Armitage, Joan Juliet Buck, Sally Sommer, David Salle, Christian Lacroix.
描述: 1 videocassette (55 min.) : sd., col. NTSC ; 1/2 in. (VHS)
内容: Dance excerpts: Depicted in performance excerpts are Armitage's works The predators' ball (1996) and its earlier incarnation Hucksters of the soul (1993), Vertige (1980), The Watteau duets (1985), Gogo ballerina (1988), The Elizabethan phrasing of the late Albert Ayler (1986), The tarnished angels (1987), and Weather of reality (1997), as well as Merce Cunningham's Channels/Inserts (1981).
責任: co-produced by Les Films d'Ici and La Sept ARTE in association with RM Associates and France Supervision, with the participation of Le Centre National de la Cinématographie ; directed by Mark Kidel ; produced by Serge Lalou.

摘要:

Profile of dancer-choreographer Karole Armitage, much of it in her own words. The program begins with a discussion of her evening-length work The predators' ball: hucksters of the soul, which she presented in several versions between 1994 and 1996. Looking back upon her career, Armitage describes her beginnings as a ballet dancer, and her discovery of the work of Merce Cunningham, whose company she joined. She discusses her own choreography and its aims, her establishment of her own company in the 1980s, her move to France, and her appointment to the directorship of MaggioDanza in Florence, and compares audience and critical reactions to her innovations in the U.S. and Europe. Additional insights are offered by her friend Joan Juliet Buck; dance historian Sally Sommer; Armitage's husband, the painter David Salle; and fashion designer Christian Lacroix.

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連結資料


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