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Kazimir Malevich and the Russian avant-garde : featuring selections from the Khardzhiev and Costakis collections : Stedelijk Museum Amsterdam, 19 October 2013-2 February 2014

Author: Kazimir Severinovich MalevichSophie TatesKaren J KellyBart RuttenGeurt ImanseAll authors
Publisher: Köln : Verlag der Buchhandlung Walther König, New York, NY : Distribution outside Europe D.A.P./Distributed Art Publishers, Inc., [2013] [2013] ©2013
Series: Cat. nr. (Amsterdam (Netherlands). Stedelijk Museum), 907.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Summary:
In 1915, Kazimir Malevich (1878-1935) radically transformed the course of twentieth-century art with his "Black Square" painting and his manifesto "From Cubism to Suprematism." These works espoused a new art of pure geometricism, intended to be universally comprehensible regardless of cultural origin. Although he is famed for his rigorous pursuit of the "non-objective," Malevich in fact explored many strands of  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Additional Physical Format: (GyWOH)har135024809
Named Person: Kazimir Severinovich Malevich; Kazimir Severinovich Malevich; Kazimir Severinovich Malevich
Material Type: Biography
Document Type: Book
All Authors / Contributors: Kazimir Severinovich Malevich; Sophie Tates; Karen J Kelly; Bart Rutten; Geurt Imanse; Linda S Boersma; Aleksandra Semenovna Shatskikh; Lisa Holden; Lee K Mitzman; Amsterdam (Netherlands). Stedelijk Museum,
ISBN: 9783863354206 3863354206 9783863354633 386335463X
OCLC Number: 862060868
Language Note: In English, sections translated from German and Russian.
Notes: Catalog of an exhibition held at the Stedelijk Museum Amsterdam, Oct. 19, 2013-Feb. 2, 2014.
Errata sheet inserted.
Description: 240 pages : illustrations (chiefly color) ; 29 cm.
Contents: Lenders to the exhibition --
Forward / Ann Goldstein --
Forward / Khardzhiev Foundation --
Foreword / Maria Tsantsanoglou --
Introduction / Bart Rutten --
1903-1910, early work: impressionism, symbolism and fauvism --
1911-1913, neo-primitivism and Cubo-futurism --
1913: victory over the sun --
1914-1915: Cubo futurism and alogism.
Series Title: Cat. nr. (Amsterdam (Netherlands). Stedelijk Museum), 907.
Responsibility: editors, Sophie Tates, Karen Kelly, Bart Rutten, Geurt Imanse ; texts, Linda S. Boersma, Bart Rutten, Aleksandra Shatskikh, Sophie Tates ; translation, Lisa Holden, Lee Mitzman.

Abstract:

In 1915, Kazimir Malevich (1878-1935) radically transformed the course of twentieth-century art with his "Black Square" painting and his manifesto "From Cubism to Suprematism." These works espoused a new art of pure geometricism, intended to be universally comprehensible regardless of cultural origin. Although he is famed for his rigorous pursuit of the "non-objective," Malevich in fact explored many strands of painting, embracing at various stages Impressionism, Symbolism, Fauvism and Cubism, as well as traditional Russian folk art. Drawing on the collections of Nikolai Khardzhiev and Georges Costakis--the two leading collectors of Russian avant-garde art, whose collections were largely assembled at a time when abstract art was banned in the Soviet Union--this catalogue traces the breadth of Malevich's career through his oil paintings, gouaches, drawings, sculptures and designs for opera and film. All phases of his development are represented here, from his early Impressionist-style work to his iconic Suprematist pieces, as well as his lesser-known figurative paintings and works on paper. These are contextualized alongside work by Malevich's contemporaries, such as Marc Chagall, Wassily Kandinsky, Natalia Goncharova, Vera Pester, Ivan Puni and Mikhail Meno.

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Primary Entity

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