skip to content
Kazimir Malevich : the climax of disclosure Preview this item
ClosePreview this item
Checking...

Kazimir Malevich : the climax of disclosure

Author: Rainer Crone; Kazimir Severinovich Malevich; David Moos
Publisher: Chicago : University of Chicago Press, 1991.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's  Read more...
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Named Person: Kazimir Severinovich Malevich; Malevich, Kazimir Severinovich <1878-1935> - Critique et interprétation.; Kazimir S Malevič; Kazimir Severinovich Malevich; Kazimir Severinovich Malevich; Kazimir S Malevič; Kazimir S Malevič
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Rainer Crone; Kazimir Severinovich Malevich; David Moos
ISBN: 0226120937 9780226120935 3791311778 9783791311777
OCLC Number: 23355864
Description: viii, 230 pages : illustrations (some color) ; 29 cm
Responsibility: Rainer Crone, David Moos.
More information:

Abstract:

Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics the work of Roman Jakobson and the "Prague School" in linguistics and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


Primary Entity

<http://www.worldcat.org/oclc/23355864> # Kazimir Malevich : the climax of disclosure
    a schema:CreativeWork, schema:Book ;
    library:oclcnum "23355864" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/ilu> ;
    library:placeOfPublication <http://dbpedia.org/resource/Chicago> ; # Chicago
    schema:about <http://experiment.worldcat.org/entity/work/data/744559#Person/malevich_kazimir_severinovich_1878_1935> ; # Kazimir Severinovich Malevich
    schema:about <http://experiment.worldcat.org/entity/work/data/744559#Person/malevich_kazimir_severinovich_1878_1935_critique_et_interpretation> ; # Kazimir Severinovich < Malevich
    schema:about <http://experiment.worldcat.org/entity/work/data/744559#Topic/bildnis> ; # Bildnis
    schema:about <http://id.loc.gov/authorities/classification/N6999> ;
    schema:about <http://dewey.info/class/759.7/e20/> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/744559#Person/malevic_kazimir_s_1878_1935> ; # Kazimir S. Malevič
    schema:about <http://viaf.org/viaf/14773228> ; # Kazimir S. Malevič
    schema:bookFormat bgn:PrintBook ;
    schema:contributor <http://viaf.org/viaf/14773228> ; # Kazimir S. Malevič
    schema:contributor <http://viaf.org/viaf/14847739> ; # David Moos
    schema:creator <http://viaf.org/viaf/12384528> ; # Rainer Crone
    schema:datePublished "1991" ;
    schema:description "Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance. Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics the work of Roman Jakobson and the "Prague School" in linguistics and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission. Rainer Crone holds the Chair for Twentieth Century Art at Ludwig-Maximilians-Universitä ;t, Munich, and is adjunct professor of art history at Columbia University. David Moos is a doctoral candidate in art history at Columbia University."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/744559> ;
    schema:genre "Criticism, interpretation, etc."@en ;
    schema:inLanguage "en" ;
    schema:name "Kazimir Malevich : the climax of disclosure"@en ;
    schema:productID "23355864" ;
    schema:publication <http://www.worldcat.org/title/-/oclc/23355864#PublicationEvent/chicago_university_of_chicago_press_1991> ;
    schema:publisher <http://experiment.worldcat.org/entity/work/data/744559#Agent/university_of_chicago_press> ; # University of Chicago Press
    schema:url <http://catdir.loc.gov/catdir/enhancements/fy0608/91010077-t.html> ;
    schema:workExample <http://worldcat.org/isbn/9780226120935> ;
    schema:workExample <http://worldcat.org/isbn/9783791311777> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/23355864> ;
    .


Related Entities

<http://dbpedia.org/resource/Chicago> # Chicago
    a schema:Place ;
    schema:name "Chicago" ;
    .

<http://experiment.worldcat.org/entity/work/data/744559#Agent/university_of_chicago_press> # University of Chicago Press
    a bgn:Agent ;
    schema:name "University of Chicago Press" ;
    .

<http://experiment.worldcat.org/entity/work/data/744559#Person/malevic_kazimir_s_1878_1935> # Kazimir S. Malevič
    a schema:Person ;
    schema:birthDate "1878" ;
    schema:deathDate "1935" ;
    schema:familyName "Malevič" ;
    schema:givenName "Kazimir S." ;
    schema:name "Kazimir S. Malevič" ;
    schema:sameAs <http://d-nb.info/gnd/118640836> ;
    .

<http://experiment.worldcat.org/entity/work/data/744559#Person/malevich_kazimir_severinovich_1878_1935> # Kazimir Severinovich Malevich
    a schema:Person ;
    schema:birthDate "1878" ;
    schema:deathDate "1935" ;
    schema:familyName "Malevich" ;
    schema:givenName "Kazimir Severinovich" ;
    schema:name "Kazimir Severinovich Malevich" ;
    .

<http://experiment.worldcat.org/entity/work/data/744559#Person/malevich_kazimir_severinovich_1878_1935_critique_et_interpretation> # Kazimir Severinovich < Malevich
    a schema:Person ;
    schema:birthDate "1878" ;
    schema:deathDate "1935" ;
    schema:familyName "Malevich" ;
    schema:givenName "Kazimir Severinovich <> - Critique et interprétation" ;
    schema:name "Kazimir Severinovich < Malevich" ;
    .

<http://viaf.org/viaf/12384528> # Rainer Crone
    a schema:Person ;
    schema:birthDate "1942" ;
    schema:familyName "Crone" ;
    schema:givenName "Rainer" ;
    schema:name "Rainer Crone" ;
    .

<http://viaf.org/viaf/14773228> # Kazimir S. Malevič
    a schema:Person ;
    schema:birthDate "1878" ;
    schema:deathDate "1935" ;
    schema:familyName "Malevič" ;
    schema:familyName "Malevich" ;
    schema:givenName "Kazimir S." ;
    schema:givenName "Kazimir Severinovich" ;
    schema:name "Kazimir S. Malevič" ;
    schema:name "Kazimir Severinovich Malevich" ;
    .

<http://viaf.org/viaf/14847739> # David Moos
    a schema:Person ;
    schema:familyName "Moos" ;
    schema:givenName "David" ;
    schema:name "David Moos" ;
    .

<http://worldcat.org/isbn/9780226120935>
    a schema:ProductModel ;
    schema:isbn "0226120937" ;
    schema:isbn "9780226120935" ;
    .

<http://worldcat.org/isbn/9783791311777>
    a schema:ProductModel ;
    schema:isbn "3791311778" ;
    schema:isbn "9783791311777" ;
    .


Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.