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The keyboard in Baroque Europe

Author: Christopher Hogwood
Publisher: Cambridge ; New York : Cambridge University Press, 2003.
Series: Musical performance and reception.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:

Twelve of today's most distinguished scholar-performers offer essays on new and intriguing aspects of baroque keyboard music.

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Genre/Form: Criticism, interpretation, etc
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Christopher Hogwood
ISBN: 0521810558 9780521810555 0521102618 9780521102612
OCLC Number: 50725193
Description: xviii, 245 pages : illustrations ; 26 cm.
Contents: Part 1. Seventeenth-century keyboard music --
On Frescobaldi's recreation of the chaconne and the passacaglia / Alexander Silbiger --
Johann Jacob Froberger's travels 1649-1653 / Rudolf Rasch --
New perspectives on Lynar A1 / Pieter Dirksen --
Creating the corpus : the 'complete keyboard music' of Henry Purcell / Christopher Hogwood --
Part 2. The early eighteenth century --
Towards a genealogy of the keyboard concerto / John Butt --
Couperin, Marpurg and Roeser : a Germanic Art de toucher le clavecin, or a French Wahre Art? / Davitt Moroney --
Part 3. The Bach family --
Invention, composition and the improvement of nature : apropos Bach the teacher and practical philosopher / Christoph Wolff --
Is there an anxiety of influence discernible in J.S. Bach's Clavierübung I? / Peter Williams --
'Towards the most elegant taste' : developments in keyboard accompaniment from J.S. to C.P.E. Bach / David Schulenberg --
'--
welche dem grössten Concerte gleichen' : the polonaises of Wilhelm Friedemann Bach / Peter Wollny --
Part 4. The later eighteenth century --
Schnellen : a quintessential articulation technique in eighteenth-century keyboard playing / Menno van Delft --
Mozart's non-metrical keyboard preludes / Robert D. Levin --
Part 5. Musical envoi --
J.S. Bach : keyboard partita in A Minor after BWV 1004 / Lars Ulrik Mortensen.
Series Title: Musical performance and reception.
Responsibility: edited by Christopher Hogwood.
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Review of the hardback: 'The very experienced writers know how to relate particular issues to broader contexts, so there is much for the enthusiast, and several of the articles will henceforth be Read more...

 
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