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King Torrismondo

Author: Torquato Tasso; Maria C Pastore Passaro
Publisher: New York : Fordham University Press, 1997.
Edition/Format:   Book : English : Dual language edView all editions and formats
Database:WorldCat
Summary:
This translation of Torquato Tasso's Il re Torrismondo, the first to be made directly from the Italian into English, is intended to help those students and scholars who do not command the language of the original text. This translation provides readers with a wider range of the Italian tragedy as a genre; it also allows readers to acquire a deeper awareness of the entire spectrum of the Italian Renaissance in its  Read more...
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Details

Genre/Form: Criticism, interpretation, etc
Named Person: Torquato Tasso; Torquato Tasso
Document Type: Book
All Authors / Contributors: Torquato Tasso; Maria C Pastore Passaro
ISBN: 0823216330 9780823216338 0823216349 9780823216345
OCLC Number: 35718691
Language Note: English and Italian.
Description: viii, 332 p. ; 24 cm.
Other Titles: Re Torrismondo.
Responsibility: by Torquato Tasso ; translation, introductory essays, and notes by Maria Pastore Passaro.
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Abstract:

Described as Tasso's most ambitious project, this epic poem, part history, part fiction, is based on the events of the First Crusade, and was composed upon his release from a seven year confinement  Read more...

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"Perhaps the most important Italian poet of the sixteenth century, Torquato Tasso's King Torrismondo is a dual language edition translation of his Il re Torrismondo, and the first to be made directly Read more...

 
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schema:description"This translation of Torquato Tasso's Il re Torrismondo, the first to be made directly from the Italian into English, is intended to help those students and scholars who do not command the language of the original text. This translation provides readers with a wider range of the Italian tragedy as a genre; it also allows readers to acquire a deeper awareness of the entire spectrum of the Italian Renaissance in its final brilliance. Tasso's King Torrismondo provides an example of Neo-Aristotelian dramatic theory of the second half of the fifteenth century. It incorporates into the dramatic genre elements of the epic lyric poem. Tasso's language can also be studied as an example of "imitation" of Virgil, Dante, Petrarch, and Tasso's own epic. Finally, Tasso's Torrismondo affords us an opportunity of comparative analysis of French, English, and Spanish literature in the development of tragedy as a European genre."@en
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