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Kontinuität des Wandels : Bohuslav Martinů in der Musikgeschichte des 20. Jahrhunderts = Continuity of change : Bohuslav Martinů in twentieth-century music history

Autor: Aleš Březina; Ivana Rentsch
Editora: Bern ; New York : P. Lang, ©2010.
Séries: Martinů-Studien, Bd. 3.
Edição/Formato   Print book : Publicação de conferência : AlemãoVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:

A remarkable quantity of works composed by Bohuslav Martinu, as well as their breadth in genre and diversity in style, make a simple ordering of his oeuvre seem impossible at first glance. It opens a  Ler mais...

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Detalhes

Gênero/Forma: Conference proceedings
Criticism, interpretation, etc
Congresses
Pessoa Denominada: Bohuslav Martinů; Bohuslav Martinů; Bohuslav Martinů
Tipo de Material: Publicação de conferência
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Aleš Březina; Ivana Rentsch
ISBN: 9783034304030 303430403X
Número OCLC: 706467101
Nota do Idioma: 15 German, 5 English contributions.
Notas: Papers originally presented at a conference held May 2009 in Prague, Czech Republic.
Descrição: 434 p. : ill. (some col.), music ; 23 cm.
Conteúdos: Inhalt/Contents: Ales Brezina: Von 'Experimenten', 'Synthesen' und 'definitiven Werken' - Michael B. Beckerman: How Long is the Coast of Martinu? - Sandra Bergmannova: Zwischen aesthetischen Versuchen und handwerklichen Schwierigkeiten. Vom Umgang mit Martinus Jugendwerk - Arne Stollberg: Bewegungsspiele - Martinus Half-Time und die Rolle des Ballsports in der franzoesischen Musik um 1920 - Giselher Schubert: Kammermusik aus der 'Epoche des Dynamismus'. Martinus kammermusikalisches Komponieren in den 1920er Jahren - Eva Velicka: Zum Humor in Martinus Musik der 1920er Jahre - Gregor Herzfeld: Martinu, Paris und populaere Musik - Alexander Aichele: Jagdbomberaesthetik? Der Formalismus von Bohuslav Martinus Scherzo fuer Orchester Thunderbolt P-47 - Hans-Joachim Hinrichsen: ce mysterieux abstract royome des sons . Bohuslav Martinus letzte Streichquartette - Theo Hirsbrunner: Samuel Dushkin, die Geigentechnik des 20. Jahrhunderts und Bohuslav Martinus Suite concertante - Ivana Rentsch: Weder geometrisch noch neurotisch. Martinus Klavierkonzerte und 'das musikalische Problem der Form' - Brian S. Locke: Nested Gestalten: Genre, Polytonality, and Historicism in Martinu's Concerto for Harpsichord - Michael Crump: The Martinu Symphonies: Conjuring Complexity from Simplicity - Jens Rosteck: Martinus Symphonie Nr. 1 im Kontext franzoesischer (Exil-)Symphonik zwischen 1930 und 1945 - Paul Wingfield: Martinu's Manipulation of Convention in the First Movement of his Symphony No. 5 - Gabriele Jonte: A symphony, new, modern in texture, unpretentious and very successful with the audience. Zur amerikanischen Rezeption der Symphonien Bohuslav Martinus - Jarmila Gabrielova: Zur Martinu-Rezeption in den USA - Francis Maes: Piero's large and candid orchestration: Searching for the Concept Behind Martinu's Les Fresques de Piero della Francesca - Tomi Maekelae: Bohuslav Martinu zwischen Nationalismus und Weltbuergertum - Vit Zouhar: Ich weiss nicht, wie sie mich gefunden haben. Zu Bohuslav Martinus Zbojnicke pisne (Rebellenlieder) und dem Chorzyklus Nove ceske pisne (Neue tschechische Lieder).
Título da Série: Martinů-Studien, Bd. 3.
Outros Títulos: Continuity of change :
Bohuslav Martinů in twentieth-century music history
Responsabilidade: Aleš Březina & Ivana Rentsch (Hrsg.).
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