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Konzert für Violoncello und Orchester a-Moll, op. 129 = Concerto for violoncello and orchestra in A minor

Author: Robert Schumann; Joachim Draheim; Heinrich Schiff
Publisher: Wiesbaden : Breitkopf & Härtel, ©1995.
Edition/Format:   Musical score : No Linguistic ContentView all editions and formats
Summary:
Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset. Schumann wrote the score in 1850, during his Düsseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed  Read more...
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Genre/Form: Solo with piano
Additional Physical Format: Online version:
Schumann, Robert, 1810-1856.
Konzert für Violoncello und Orchester a-Moll, op. 129.
Wiesbaden : Breitkopf & Härtel, ©1995
(OCoLC)639641555
Document Type: Musical Score
All Authors / Contributors: Robert Schumann; Joachim Draheim; Heinrich Schiff
OCLC Number: 34136564
Notes: Acc. arr. for piano by the composer.
Notes on the solo part ([1] p.) inserted.
Pref. in German and English; critical notes in German.
Publisher's no.: Edition Breitkopf 8597.
Description: 1 score (34 pages) + 1 part (15 pages) ; 31 cm
Other Titles: Concertos,
Responsibility: Robert Schumann ; Klavierauszug vom Komponisten ; herausgegeben von Joachim Draheim ; Solostimme eingerichtet und kommentiert von Heinrich Schiff.

Abstract:

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset. Schumann wrote the score in 1850, during his Düsseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the present edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work. - Back cover.

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