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| 附加的形体格式： | Online version: Yoshimoto, Mitsuhiro, 1961- Kurosawa. Durham, NC : Duke University Press, 2000 (OCoLC)606279357 |
|---|---|
| 提及的人： | Akira Kurosawa; Akira Kurosawa; Akira Kurosawa; Akira Kurosawa |
| 材料类型： | 传记 |
| 文件类型： | 书 |
| 所有的著者/提供者： |
Mitsuhiro Yoshimoto |
| ISBN: | 0822324830 9780822324836 0822325195 9780822325192 |
| OCLC号码： | 42810773 |
| 描述： | x, 485 p. : ill. ; 23 cm. |
| 内容： | Japanese cinema in search of a discipline -- The films of Kurosawa Akira -- Kurosawa criticism and the name of the author -- Sanshiro Sugata -- The Most Beautiful -- San shiro Sugata, part 2 -- The Men Who Tread on the Tiger's Tail -- No Regrets for Our Youth -- One Wonderful Sunday -- Drunken Angel -- The Quiet Duel -- Stray Dog -- Scandal -- Rashomon -- The Idiot -- Ikiru -- Seven Samurai -- Record of a Living Being -- Throne of Blood -- The Lower Depths -- The Hidden Fortress -- The Bad Sleep Well -- Yojimbo -- Sanjuro -- High and Low -- Red Beard -- Dodeskaden -- Dersu Uzala -- Kagemusha -- Ran -- Dreams -- Rhapsody in August -- Madadayo -- Epilogue. |
| 丛书名： | Asia-Pacific. |
| 责任： | Mitsuhiro Yoshimoto. |
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"Yoshimoto's Kurosawa is destined to take its place along with the most important achievements of cinema studies, which is to say that it is a book about something more than cinema itself. Yet it offers a stimulating, running commentary on the films that makes one want to see them all over again, while also offering a new theory of auteurship as collective negotiation. This is a grand performance sustained by a voice of rare authority."--Fredric Jameson [*Note: We'll need to run this edit by him.] "A tour-de-force reading of Kurosawa's films. Yoshimoto adds greatly to current Kurasawa scholarship and to situating the construct 'Japanese Cinema' in a way that it has not been situated before."--[PERMISSION PENDING] [RR, PP, edited] E. Ann Kaplan, author of Looking for the Other: Feminism and the Imperial Gaze"[Yoshimoto's] primary concern, as an academic working in the United States, is with western criticism of Japanese cinema as it moved from humanism to structuralism, to post-structuralism and to postmodernism. His erudite and near-comprehensive book is about what we non-Japanese understand in the work of Kurosawa. He finds much of our understanding tainted because it views Japan and Japanese cinema in an exotic light... Yoshimoto's aim is to build up a detailed case that westerners do not understand Kurosawa. If we think we do, he implies, we are wrong, because we know so little of Japanese culture...He tries to help us by giving a full account of the context in which Kurosawa worked and in which his films were made. It is something of a crash course: cinema, theatre, society, politics, history and so on. His knowledge is encyclopedic and his scholarship impressive."--Mamoun Hassan, Times Higher Education Supplement, December 15 2000 再读一些...
