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The last Plantagenet consorts : gender, genre, and historiography, 1440-1627

Author: Kavita Mudan Finn
Publisher: New York, NY : Palgrave Macmillan, 2012.
Series: Queenship and power.
Edition/Format:   eBook : Document : English : First editionView all editions and formats
Summary:
"Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across  Read more...
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Details

Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Mudan Finn, Kavita, 1983-
Last Plantagenet consorts.
New York, NY : Palgrave Macmillan, 2012
(DLC) 2011050319
(OCoLC)768041926
Named Person: House of Plantagenet; House of Plantagenet
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Kavita Mudan Finn
ISBN: 9780230392991 0230392997
OCLC Number: 796995827
Description: 1 online resource (xii, 267 pages).
Contents: Narrating Queens in the Fifteenth Century --
'By Meane of a Woman': Changing the Subject in Polydore Vergil's Anglica Historia and Sir Thomas More's History of King Richard the Third --
'The point of a very woman': Gendering Destabilization in Edward Hall's Union and Raphael Holinshed's Chronicle --
Queens in the Margins: Allegorizing Anxiety in A Mirror for Magistrates --
Performing Queenship in Legge's Richardus Tertius, The True Tragedy of Richard III, and Heywood's Edward IV --
'A Queen in Jest': Queenship and Historical Subversion in Shakespeare's First Tetralogy --
'The Fetters of Her Sex': Voicing Queens in the Historical Poetry of Michael Drayton and Samuel Daniel.
Series Title: Queenship and power.
Responsibility: Kavita Mudan Finn.

Abstract:

"Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across texts as disparate as chronicles, parliamentary proceedings, diplomatic correspondence, ballads, poetry, and drama, this study reveals hitherto unexplored tensions within these texts, generated by embedded narratives and their implications"--

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