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The last Ruskinians : Charles Eliot Norton, Charles Herbert Moore, and their circle

著者: Theodore E Stebbins; Virginia Anderson; Fogg Art Museum.; Harvard University. Art Museums.
出版: Cambridge, Mass. : Harvard University Art Museums, ©2007.
エディション/フォーマット:   書籍 : Biography : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary  続きを読む
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詳細

ジャンル/形式: Exhibitions
その他のフォーマット: Online version:
Stebbins, Theodore E.
Last Ruskinians.
Cambridge, Mass. : Harvard University Art Museums, c2007
(OCoLC)743495880
関連の人物: Charles Herbert Moore; Charles Eliot Norton; John Ruskin
資料の種類: Biography, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Theodore E Stebbins; Virginia Anderson; Fogg Art Museum.; Harvard University. Art Museums.
ISBN: 9781891771446 1891771442
OCLC No.: 82172631
注記: "Published in conjunction with an exhibition organized by the Fogg Art Museum, Harvard University Art Museums, on view April 7-July 8, 2007"--T.p. verso.
物理形態: 104 p. : ill. (chiefly col.) ; 27 cm.
コンテンツ: Charles Eliot Norton : Ruskin's friend, Harvard's sage / Theodore E. Stebbins, Jr. --
"Plain faithful recording" : the art of Charles Herbert Moore / Virginia Anderson --
Charles Herbert Moore and the teaching of art at Harvard / Melissa Renn.
責任者: Theodore E. Stebbins, Jr., Virginia Anderson ; with Melissa Renn, Susan C. Ricci.
その他の情報:

概要:

"Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary Charles Eliot Norton, the nation's first professor of art history, who taught at Harvard from 1874 to 1898, and by Norton's protege Charles Herbert Moore. The Last Ruskinians is the catalogue of an exhibition that traces Ruskin's impact on these teachers, their students, and many other artists and collectors." "The works represented here include floral studies, landscapes, architectural details, views of Venice, and copies after ancient, medieval, and Renaissance art. Most are in watercolor, Ruskin's favorite medium. Included are ten works by Ruskin himself, all drawn from the Harvard collections, and twice as many by his friend Moore, a Harvard drawing instructor and the Fogg Art Museum's first director."--BOOK JACKET.

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