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The last Ruskinians : Charles Eliot Norton, Charles Herbert Moore, and their circle

著者: Theodore E Stebbins; Virginia Anderson; Fogg Art Museum.; Harvard University. Art Museums.
出版商: Cambridge, Mass. : Harvard University Art Museums, ©2007.
版本/格式:   图书 : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary  再读一些...
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详细书目

类型/形式: Exhibitions
附加的形体格式: Online version:
Stebbins, Theodore E.
Last Ruskinians.
Cambridge, Mass. : Harvard University Art Museums, c2007
(OCoLC)743495880
提及的人: Charles Herbert Moore; Charles Eliot Norton; John Ruskin
材料类型: 传记, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Theodore E Stebbins; Virginia Anderson; Fogg Art Museum.; Harvard University. Art Museums.
ISBN: 9781891771446 1891771442
OCLC号码: 82172631
注意: "Published in conjunction with an exhibition organized by the Fogg Art Museum, Harvard University Art Museums, on view April 7-July 8, 2007"--T.p. verso.
描述: 104 p. : ill. (chiefly col.) ; 27 cm.
内容: Charles Eliot Norton : Ruskin's friend, Harvard's sage / Theodore E. Stebbins, Jr. --
"Plain faithful recording" : the art of Charles Herbert Moore / Virginia Anderson --
Charles Herbert Moore and the teaching of art at Harvard / Melissa Renn.
责任: Theodore E. Stebbins, Jr., Virginia Anderson ; with Melissa Renn, Susan C. Ricci.
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摘要:

"Though the eminent nineteenth-century British critic and watercolorist John Ruskin never set foot in the United States, his writings were widely read here. American artists eagerly took up his call for the meticulous depiction of nature and the preservation through copying of some of the finest works of civilization before time or misguided restoration overtook them. His influence was disseminated by the legendary Charles Eliot Norton, the nation's first professor of art history, who taught at Harvard from 1874 to 1898, and by Norton's protege Charles Herbert Moore. The Last Ruskinians is the catalogue of an exhibition that traces Ruskin's impact on these teachers, their students, and many other artists and collectors." "The works represented here include floral studies, landscapes, architectural details, views of Venice, and copies after ancient, medieval, and Renaissance art. Most are in watercolor, Ruskin's favorite medium. Included are ten works by Ruskin himself, all drawn from the Harvard collections, and twice as many by his friend Moore, a Harvard drawing instructor and the Fogg Art Museum's first director."--BOOK JACKET.

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