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Lavish self-divisions : the novels of Joyce Carol Oates

Autor: Brenda O Daly
Editorial: Jackson, Miss. : University Press of Mississippi, ©1996.
Edición/Formato:   Libro-e : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
Joyce Carol Oates's authorial voice is lavishly diverse. In her works she divides herself into many voices, many persons. This up-to-date examination of Oates's novels argues that the father-identified daughters in her early novels have become, in the novels of the 1980s, self-authoring women who seek alliances with their culturally devalued mothers. Oates's struggle to resist and transform male-defined literary  Leer más
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Detalles

Género/Forma: Electronic books
Criticism, interpretation, etc
History
Formato físico adicional: Print version:
Daly, Brenda O., 1941-
Lavish self-divisions.
Jackson, Miss. : University Press of Mississippi, ©1996
(DLC) 96011684
(OCoLC)34354862
Persona designada: Joyce Carol Oates; Joyce Carol Oates; Joyce Carol Oates; Joyce Carol Oates
Tipo de material: Recurso en Internet
Tipo de documento: Recurso en Internet, Archivo de computadora
Todos autores / colaboradores: Brenda O Daly
ISBN: 058517993X 9780585179933
Número OCLC: 44954719
Notas de Reproducción: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Descripción: 1 online resource (xxiv, 278 pages)
Detalles: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenido: Introduction: Lavish Self-Divisions: The Novels of Joyce Carol Oates --
pt. 1. Anxious Authorship in the 1960s: Daughters Leaving Home. 1. Not Strictly Parallel: The Sacrificial Plots of Daughters and Sons in With Shuddering Fall. 2. Yeats's Daughter: Images of "Leda and the Swan" in the Trilogy of the 1960s. 3. "The Central Nervous System of America": The Writer in/as the Crowd in Wonderland --
pt. 2. Dialogic Authorship in the 1970s: Marriage and Infidelities. 4. Marriage as Novel: Beyond the Conventions of Romance and Law in Do with Me What You Will. 5. Wedding a (Woman) Writer's Voices: Dis-membering the "I" in The Assassins, Re-membering "Us" in Childwold. 6. Self-Narrating Woman: Marriage as Emancipatory Metaphor in Unholy Loves --
pt. 3. Communal Authorship in the 1980s: The (M)other in Us. 7. Daughters of the American Revolution: "Idiosyncratic" Narrators in Three Postmodern Novels.
Responsabilidad: Brenda Daly.

Resumen:

Joyce Carol Oates's authorial voice is lavishly diverse. In her works she divides herself into many voices, many persons. This up-to-date examination of Oates's novels argues that the father-identified daughters in her early novels have become, in the novels of the 1980s, self-authoring women who seek alliances with their culturally devalued mothers. Oates's struggle to resist and transform male-defined literary conventions is often mirrored by the struggles of her female characters to resist and transform social conventions.

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