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Learning to kneel : noh, modernism, and journeys in teaching

Author: Carrie J Preston
Publisher: New York : Columbia University Press, 2016. ©2016.
Series: Modernist latitudes.
Edition/Format:   eBook : Document : English
Summary:
Throughout the twentieth century, Japanese noh drama was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Carrie J. Preston locates noh's influence on Pound's  Read more...
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Genre/Form: Ressources Internet
Additional Physical Format: Version imprimée :
Preston, Carrie J.
Learning to kneel.
New York : Columbia University Press, [2016]
(DLC) 2015050685
(OCoLC)930681944
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Carrie J Preston
ISBN: 9780231541541 0231541546 9780231544290 0231544294
OCLC Number: 1066050125
Description: 1 ressource en ligne (xvi, 369 pages).
Contents: Introduction to noh lessons --
Ezra Pound as noh student --
Theater in the "deep": W.B. Yeats's at the Hawk's well --
Ito Michio's hawk tours in modern dance and theater --
Pedagogical intermission: a lesson plan for Bertolt Brecht's Revisions --
Noh circles in twentieth-century Japanese performance --
Trouble with titles and directors: Benjamin Britten and William Plomer's Curlew --
River and Samuel Beckett's Footfalls/pas --
Coda.
Series Title: Modernist latitudes.
Responsibility: Carrie J. Preston.

Abstract:

Throughout the twentieth century, Japanese noh drama was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Carrie J. Preston locates noh's influence on Pound's imagism, Yeats's Irish National Theater, Brecht's learning plays, Britten's church parables, and Beckett's spare dramaturgy. These artists learned about noh from an international cast of ...

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