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Lee Morgan : his life, music and culture

Verfasser/in: Tom Perchard
Verlag: London ; Oakville, CT : Equinox Pub., 2006.
Serien: Popular music history.
Ausgabe/Format   Buch : Biografie : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"This is the first biography of the jazz trumpeter Lee Morgan (1938-72). He was a prodigy: recruited to Dizzy Gillespie's big band while still a teenager, joining Art Blakey's Jazz Messengers not long afterwards, by his early twenties Morgan had played on four continents and dozens of albums. The trumpeter would go on to cultivate a personal and highly influential style, and to make records - most notably The
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Gattung/Form: Biography
Physisches Format Online version:
Perchard, Tom, 1976-
Lee Morgan.
London ; Oakville, CT : Equinox Pub., 2006
(OCoLC)639399114
Name: Lee Morgan; Lee Morgan, Musiker.; Lee Morgan
Medientyp: Biografie, Internetquelle
Dokumenttyp: Buch, Internet-Ressource
Alle Autoren: Tom Perchard
ISBN: 1845532058 9781845532055 9781845533823 1845533828
OCLC-Nummer: 65302013
Beschreibung: ix, 297 p. : ill. ; 25 cm.
Inhalt: Introduction : Black Philadelphia --
Music and opportunity in Tioga --
Learning and teaching, formal and informal --
Performance, competition and status in the "cool world" --
The break : New York, Dizzy Gillespie and Blue Note records --
"Quick progress" --
Under Art Blakey's influence --
Life in the bebop business and the soul jazz style --
Blues truth, sound and identity --
Interlude : jazz criticism and race politics in the early-1960s --
Symbolism, signification and the Sidewinder --
Decline and ascent --
Modes, changes and "The Beatles" --
Drug : politics and the end of hip --
Organisation and protest --
Black culture between the national and the universal --
Teaching tradition and change --
Conclusion : East 3rd Street.
Serientitel: Popular music history.
Verfasserangabe: Tom Perchard.
Weitere Informationen:

Abstract:

Lee Morgan was a prodigy: recruited to Dizzy Gillespie's big band while still a teenager, joining Art Blakey's Jazz Messengers. But Morgan's personal life remained troubled, and during a fight with  Weiterlesen…

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'Perchard's descriptions of Morgan's playing are both technically astute and accessible, but the real strength of this book lies in its awareness of contexts. He has spoken to an impressive number of Weiterlesen…

 
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schema:description""While what should have been Morgan's most successful years were hampered by a heroin addiction, the ascendant black liberation movement of the late sixties gave the musician a new, political impulse, and he returned to the jazz scene to become a vociferous campaigner for black musicians' rights and representation. But Morgan's personal life remained troubled, and during a fight with his girlfriend at a New York club, he was shot and killed, aged thirty-three."."@en
schema:description""Although Lee Morgan lived and died in sensational style, the story told in this book does not just stumble between stages, studios, bars and needles; such a narrative could not do justice to the richness of the trumpeter's music, nor to the culture from which it came. The events of Morgan's life are presented here not just as items of biography, but also as points of departure for wider historical investigations that aim to situate the musician and his contemporaries in changing aesthetic, social and economic contexts. This biography draws on many original interviews with Morgan's colleagues and friends, as well as extensive archival research and critical engagement with the music itself."--BOOK JACKET."@en
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schema:reviewBody""This is the first biography of the jazz trumpeter Lee Morgan (1938-72). He was a prodigy: recruited to Dizzy Gillespie's big band while still a teenager, joining Art Blakey's Jazz Messengers not long afterwards, by his early twenties Morgan had played on four continents and dozens of albums. The trumpeter would go on to cultivate a personal and highly influential style, and to make records - most notably The Sidewinder - which would sell in numbers almost unheard of in jazz."."
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