Criticism, interpretation, etc
Leonard Bernstein; Douglas Smith; Clark Santee; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Hector Berlioz; Richard Wagner; Claude Debussy; Charles Ives; Maurice Ravel; Gustav Mahler; Igor Stravinsky; Harvard University.; Kultur International Films.; Robert Saudek Associates.; Amberson Productions.; WGBH (Television station : Boston, Mass.); Boston Symphony Orchestra.; Wiener Philharmoniker.
|注意：||"An Amberson Video Production in cooperation with WGBH, Boston."
"Written and delivered when Leonard Bernstein was Charles Eliot Norton Professor of Poetry at Harvard University, with performances by Mr. Bernstein, the Boston Symphony Orchestra, and the Vienna Philharmonic."
|餘額：||Director, Clark Santee ; producer, Douglas Smith ; writer, Leonard Bernstein.|
|製作註解：||Recorded at Harvard University, 1973.|
|描述：||6 videocassettes (793 min.) : sd., col. ; 1/2 in.|
|内容：||Lecture I. Musical phonology (104 min.) --
Lecture II. Musical syntax (95 min.) --
Lecture III. Musical semantics (142 min.) --
Lecture IV. The Delights and dangers of ambiguity (142 min.) --
Lecture V. The Twentieth century crisis (133 min.) --
Lecture VI. The Poetry of earth (177 min.).
|叢書名：||Charles Eliot Norton lectures, 1973.|
Delights and dangers of ambiguity.
Twentieth century crisis.
Poetry of earth.
Six talks at Harvard by Leonard Bernstein
|責任：||written by Leonard Bernstein ; producer, Douglas Smith ; produced by Robert Saudek Associates ; Clark Santee, director.|
Renowned conductor and musician Leonard Bernstein gives six lectures at Harvard University on various aspects of music. Includes musical illustrations played on piano or conducted by the maestro. Musical phonology explores the origins and development of music and language, with a performance of Mozart's Symphony No. 40 in G Minor, K. 550. Musical syntax compares the structures of music and speech, and discusses the multiple transformations of which both are capable, with examples from Mozart's Symphony No. 40 in G Minor, K. 550. Musical semantics demonstrates layers of meaning in Beethoven's Symphony No. 6 in F. Major, op. 68. Delights and dangers of ambiguity looks at explorations of new tonal fields by composers of the Romantic era. Musical illustrations from Berlioz, Wagner, and Debussy. The Twentieth century crisis is Arnold Schoenberg's movement toward atonality and Gustav Mahler's anticipation of the crisis in twentieth-century music. Includes performances of Ives, Ravel, and Mahler. The Poetry of earth examines how Igor Stravinsky kept tonality viable while experimenting freely with dissonance. Includes a complete performance of Stravinsky's Oedipus Rex.