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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/317471852 Title: Leonardo da Vinci and the art of sculpture Author: Gary M Radke; Leonardo, da Vinci; Martin Kemp; High Museum of Art; J. Paul Getty Museum Publisher: Atlanta : Los Angeles : New Haven : High Museum of Art ; J. Paul Getty Museum ; Yale University Press, 2009. ISBN/ISSN: 9780300154733 0300154739 9781932543322 1932543325 9781932543315 1932543317 OCLC:317471852

  
  

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Subjects

• Leonardo, -- da Vinci, -- 1452-1519.
• Leonardo, -- da Vinci, -- 1452-1519 -- Exhibitions.
• Leonardo, -- da Vinci, -- 1452-1519 -- Criticism and interpretation.
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Leonardo da Vinci and the art of sculpture

Author:	Gary M Radke; Leonardo, da Vinci; Martin Kemp; High Museum of Art.; J. Paul Getty Museum.; et al
Publisher:	Atlanta : High Museum of Art ; Los Angeles : J. Paul Getty Museum ; New Haven : Yale University Press, 2009.
Edition/Format:	Book  Visual material : EnglishView all editions and formats
Summary:	"Leonardo da Vinci (1452-1519) is renowned as a painter, designer, draftsman, architect, engineer, scientist, and theorist. His work as a sculptor is not commonly acknowledged, and many have argued that Leonardo believed that sculpture was an inferior art form ("of lesser genius than painting"). Challenging and overturning these assumptions, Leonardo da Vinci and the Art of Sculpture looks at the sculptural projects that the artist undertook, as well as the late Renaissance sculptures that were indebted to him. Leonardo consistently drew inspiration from ancient sculpture, admired the work of such contemporary sculptural innovators as Donatello, and even trained under Andrea del Verrocchio, the preeminent bronze sculptor of late 15th-century Florence. Furthermore, Leonardo spent many years of his life working on two larger-than-life-sized horse sculptures - Sforza and Trivulzio - monuments to Francesco Sforza, the Duke of Milan, and to Gian Giacomo Trivulzio, his successor. Although neither was completed, the authors argue that these equestrian monuments show how Leonardo was intensely engaged with the design dilemmas of representing a horse rearing on its hind legs. Another highlight of the book is a group of new images of the John the Baptist Preaching to a Levite and a Pharisee, a recently restored large-scale work in the Florentine Baptistery that clearly demonstrates Leonardo's collaboration with Giovanni Francesco Rustici."--Book jacket.  Read more...
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