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Détails
| Genre/forme : | Documentary films Nonfiction films Feature films |
|---|---|
| Type d’ouvrage : | Enregistrement vidéo |
| Format : | Matériel visuel |
| Tous les auteurs / collaborateurs : |
William Miles; Nina Rosenblum; John Crowley; Daniel V Allentuck; Lou Potter; Denzel Washington; Louis Gossett; Steven Olswang; Harold Wheeler; WNET (Television station : New York, N.Y.); Channel Four (Great Britain); Miles Educational Film Productions.; WGBH Educational Foundation.; Direct Cinema Ltd.; et al |
| ISBN : | 155974426X 9781559744263 |
| Numéro OCLC : | 27161567 |
| Note sur la langue : | In English. |
| Notes : | Originally produced as a documentary film in 1992. |
| Crédits : | Cinematography by Kevin Keating ... [et al.] ; edited by Steven Olswang ; original music by Harold Wheeler. |
| Interprète(s) : | Hosted by David McCullough ; narration by Denzel Washington, Louis Gossett, Jr. |
| Notes sur la production : | First broadcast as an episode of the television program The American experience on Oct. 30, 1992. |
| Description : | 1 videocassette (90 min.) : sd., col. with b&w sequences ; 1/2 in. |
| Détails : | VHS, NTSC. |
| Autres titres : | Fighting on two fronts in World War II American experience (Television program) |
| Responsabilité : | produced by William Miles and Nina Rosenblum ; written by John Crowley, Daniel V. Allentuck, Lou Potter ; produced in association with Thirteen/WNET for the American experience ; co-producers, Channel Four ... [et al.] ; Miles Educational Film Productions, Inc. ; WGBH Educational Foundation. |
Résumé :
A look at the role of the 761st Tank Battalion (a.k.a.: The Black Panthers) in World War II, during which the battalion was deployed in England, France and Germany.
LIBERATORS claims that the 761st Tank Battalion liberated the concentration camps at Dachau and Buchenwald, which contradicts both official reports to the Army and the 761st's own regimental history. The American Jewish Committee's "Liberators : a background report" concluded that the film contained "serious factual flaws well beyond what can be written off as 'artistic license.'" The film was removed from circulation in 1993, pending re-editing.
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