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Liebe Hanya : Mary Wigman's letters to Hanya Holm

Autore: Mary Wigman; Claudia Gitelman
Editore: Madison : University of Wisconsin Press, ©2003.
Serie: Studies in dance history (Unnumbered)
Edizione/Formato:   Libro : Biography : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Mary Wigman's groundbreaking choreography and inspired performances in Germany during the 1910s and 1920s placed modern dance on an equal footing with modern painting, theater, and film. Her disciple Hanya Holm took Wigman's aesthetic philosophy to the United States in 1931, effectively adapting it to the American temperament through her teaching and concert works and as a choreographer of Broadway musicals such as  Per saperne di più…
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Dettagli

Genere/forma: Lettres (Descripteur de forme)
Biographie (Descripteur de forme)
Biography
Records and correspondence
Correspondence
Persona incaricata: Mary Wigman; Hanya Holm; Hanya Holm; Mary Wigman; Hanya Holm; Mary Wigman; Hanya Holm; Mary Wigman
Tipo materiale: Biography, Government publication, State or province government publication, Risorsa internet
Tipo documento: Book, Internet Resource
Tutti gli autori / Collaboratori: Mary Wigman; Claudia Gitelman
ISBN: 0299190706 9780299190705 0299190749 9780299190743
Numero OCLC: 51892531
Descrizione: xxvii, 240 p. : ill. ; 24 cm.
Titolo della serie: Studies in dance history (Unnumbered)
Altri titoli: Mary Wigman's letters to Hanya Holm
Responsabilità: compiled and edited by Claudia Gitelman ; with an introduction by Hedwig Mueller ; letters translated by Marianne Forster and Catherine T. Klingler ; additional translation by Shelley Frisch and Joanna Ratych.
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Abstract:

Documents the lives of two remarkable women artists who were at the center of 20th century dance modernism. Written between 1920 and 1971, Wigman's letters to Hanya Holm are a treasury of fascinating  Per saperne di più…

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schema:reviewBody""Mary Wigman's groundbreaking choreography and inspired performances in Germany during the 1910s and 1920s placed modern dance on an equal footing with modern painting, theater, and film. Her disciple Hanya Holm took Wigman's aesthetic philosophy to the United States in 1931, effectively adapting it to the American temperament through her teaching and concert works and as a choreographer of Broadway musicals such as Kiss Me, Kate and My Fair Lady. Written between 1920 and 1971, Wigman's letters to Holm bring to life an unusually durable and productive friendship that began as teacher and student then survived a love triangle, business partnership, and long separation by war and politics. A memorable personal account of a century in turmoil, these missives inject immediacy into discussions of Wigman's work within the Third Reich and cast light on Holm's construction of an American identity. Never before published in any language, these letters, introduced by Hedwig Muller and annotated by Claudia Gitelman, are an untapped resource for historians of twentieth-century culture as well as dance."--BOOK JACKET."
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