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Liebe Hanya : Mary Wigman's letters to Hanya Holm

Autor: Mary Wigman; Claudia Gitelman
Editora: Madison : University of Wisconsin Press, ©2003.
Séries: Studies in dance history (Unnumbered)
Edição/Formato   Print book : Biografia : Publicação de governo estadual ou província : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Mary Wigman's groundbreaking choreography and inspired performances in Germany during the 1910s and 1920s placed modern dance on an equal footing with modern painting, theater, and film. Her disciple Hanya Holm took Wigman's aesthetic philosophy to the United States in 1931, effectively adapting it to the American temperament through her teaching and concert works and as a choreographer of Broadway musicals such as  Ler mais...
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Detalhes

Gênero/Forma: Biography
Records and correspondence
Lettres (Descripteur de forme)
Biographie (Descripteur de forme)
Correspondence
Pessoa Denominada: Mary Wigman; Hanya Holm; Hanya Holm; Mary Wigman; Hanya Holm; Mary Wigman; Hanya Holm; Mary Wigman
Tipo de Material: Biografia, Publicação do governo, Publicação de governo estadual ou província, Recurso Internet
Tipo de Documento: Livro, Recurso Internet
Todos os Autores / Contribuintes: Mary Wigman; Claudia Gitelman
ISBN: 0299190706 9780299190705 0299190749 9780299190743
Número OCLC: 51892531
Descrição: xxvii, 240 pages : illustrations ; 24 cm.
Título da Série: Studies in dance history (Unnumbered)
Outros Títulos: Mary Wigman's letters to Hanya Holm
Responsabilidade: compiled and edited by Claudia Gitelman ; with an introduction by Hedwig Mueller ; letters translated by Marianne Forster and Catherine T. Klingler ; additional translation by Shelley Frisch and Joanna Ratych.
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Resumo:

Documents the lives of two remarkable women artists who were at the center of 20th century dance modernism. Written between 1920 and 1971, Wigman's letters to Hanya Holm are a treasury of fascinating  Ler mais...

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schema:reviewBody""Mary Wigman's groundbreaking choreography and inspired performances in Germany during the 1910s and 1920s placed modern dance on an equal footing with modern painting, theater, and film. Her disciple Hanya Holm took Wigman's aesthetic philosophy to the United States in 1931, effectively adapting it to the American temperament through her teaching and concert works and as a choreographer of Broadway musicals such as Kiss Me, Kate and My Fair Lady. Written between 1920 and 1971, Wigman's letters to Holm bring to life an unusually durable and productive friendship that began as teacher and student then survived a love triangle, business partnership, and long separation by war and politics. A memorable personal account of a century in turmoil, these missives inject immediacy into discussions of Wigman's work within the Third Reich and cast light on Holm's construction of an American identity. Never before published in any language, these letters, introduced by Hedwig Muller and annotated by Claudia Gitelman, are an untapped resource for historians of twentieth-century culture as well as dance."--Jacket."
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